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Ben Jonson and theatre : performance, practice, and theory

著者: Richard Allen Cave; Elizabeth Schafer; Brian Woolland
出版: London ; New York : Routledge, 1999.
エディション/フォーマット:   book_printbook : Conference publication : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
This collection of essays examines the Jonson canon from the viewpoint of the theatre practitioner. Bridging the divide between theory & practice it shows how his drama operates in performance and includes discussion with practitioners.
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ジャンル/形式: Kongress
Congresses
関連の人物: Ben Jonson; Ben Jonson; Ben Jonson; Ben Jonson; Ben Jonson; Ben Jonson; Ben Jonson; Ben Jonson
資料の種類: Conference publication, インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Richard Allen Cave; Elizabeth Schafer; Brian Woolland
ISBN: 0415179807 9780415179805 0415179815 9780415179812 9780203981375 0203981375
OCLC No.: 39368464
注記: "This book has grown out of a conference held at Reading University in January 1996"--Page [xiii].
物理形態: xiv, 223 pages : illustrations ; 24 cm
コンテンツ: Who is Lovewit? What is he? / Andrew Gurr --
Script and performance ; Visualizing Jonson's text ; Designing for Jonson's plays ; Acting in Jonson--
a conversation with John Nettles and Simon Russell-Beale ; Directing Jonson / Richard Cave --
First encounters / Brian Woolland --
Jonson as Shakespeare's Other / Mick Jardine --
Contradictions ; Gift of silence / Brian Woolland --
Daughters of Ben / Elizabeth Schafer --
'Twill fit the players yet' : women and theatre in Jonson's late plays / Julie Sanders --
Jonson down under : an Australian Alchemist / Elizabeth Schafer.
責任者: [edited by] Richard Cave, Elizabeth Schafer, Brian Woolland.
その他の情報:

概要:

Looks at the Jonson canon from the point of view of the theatre practitioner. It bridges the theory/practice divide by debating how his drama operates in performance and includes discussion with and  続きを読む

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"This is, in short, a book which cannot be easily pinned down or pigeon-holed, and which is all the more provocative as a result. It should appeal strongly to actors, directors, and theatre-goers, as 続きを読む

 
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