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Benjamin Britten : Coal face, Night mail, Instruments of the orchestra, Steps of the ballet

Autor Benjamin BrittenAlberto CavalcantiBasil WrightHarry WattMuir MathiesonVšichni autoři
Vydavatel: New York : Kino Video, 1992.
Edice: British documentary movement, v. 3.
Vydání/formát:   VHS video : VHS tape   Obrazový materiál : English
Databáze:WorldCat
Shrnutí:
Four films linked by having scores composed by Benjamin Britten. This series is a collection of twenty individual full length films representative of the British Documentary Film Movement. The films cover the twenty-two year period of British documentary production starting with the works of the EMB (Empire Marketing Board) and continue through the postwar era.
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Detaily

Žánr/forma: Nonfiction films
Documentary films
Short films
Criticism, interpretation, etc
Typ materiálu: Videorecording
Typ dokumentu: Obrazový materiál
Všichni autoři/tvůrci: Benjamin Britten; Alberto Cavalcanti; Basil Wright; Harry Watt; Muir Mathieson; David Shepard; Kino International Corporation.
OCLC číslo: 27664211
Titulky: Program notes by Charles Musser.
Popis: 1 videocassette (80 min.) : sd., b&w ; 1/2 in.
Podrobnosti: VHS format.
Obsahy: Coal face, 1935 (12 min.) / written and directed by Alberto Cavalcanti ; music, Benjamin Britten --
Night mail, 1936 (24 min.) / directors Basil Wright and Harry Watt ; music, Benjamin Britten --
Instruments of the Orchestra, 1947 (20 min.) / directed by Muir Mathieson ; music, Benjamin Britten --
Steps of the ballet, 1948 (24 min.) / directed by Muir Mathieson ; music, Benjamin Britten.
Název edice: British documentary movement, v. 3.
Jiné tituly: Coal face.
Instruments of the orchestra.
Steps of the ballet.
Night mail (Motion picture : 1936)
Odpovědnost: Kino International Corporation ; [collection compiled by David Shepard].

Anotace:

Four films linked by having scores composed by Benjamin Britten. This series is a collection of twenty individual full length films representative of the British Documentary Film Movement. The films cover the twenty-two year period of British documentary production starting with the works of the EMB (Empire Marketing Board) and continue through the postwar era.

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