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Benjamin Britten : Coal face, Night mail, Instruments of the orchestra, Steps of the ballet

Autore: Benjamin BrittenAlberto CavalcantiBasil WrightHarry WattMuir MathiesonTutti gli autori
Editore: New York : Kino Video, 1992.
Serie: British documentary movement, v. 3.
Edizione/Formato:   Video VHS : VHS tape   Materiale visivo : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Four films linked by having scores composed by Benjamin Britten. This series is a collection of twenty individual full length films representative of the British Documentary Film Movement. The films cover the twenty-two year period of British documentary production starting with the works of the EMB (Empire Marketing Board) and continue through the postwar era.
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Dettagli

Genere/forma: Nonfiction films
Documentary films
Short films
Criticism, interpretation, etc
Tipo materiale: Videorecording
Tipo documento: Materiale visivo
Tutti gli autori / Collaboratori: Benjamin Britten; Alberto Cavalcanti; Basil Wright; Harry Watt; Muir Mathieson; David Shepard; Kino International Corporation.
Numero OCLC: 27664211
Riconoscimenti: Program notes by Charles Musser.
Descrizione: 1 videocassette (80 min.) : sd., b&w ; 1/2 in.
Dettagli: VHS format.
Contenuti: Coal face, 1935 (12 min.) / written and directed by Alberto Cavalcanti ; music, Benjamin Britten --
Night mail, 1936 (24 min.) / directors Basil Wright and Harry Watt ; music, Benjamin Britten --
Instruments of the Orchestra, 1947 (20 min.) / directed by Muir Mathieson ; music, Benjamin Britten --
Steps of the ballet, 1948 (24 min.) / directed by Muir Mathieson ; music, Benjamin Britten.
Titolo della serie: British documentary movement, v. 3.
Altri titoli: Coal face.
Instruments of the orchestra.
Steps of the ballet.
Night mail (Motion picture : 1936)
Responsabilità: Kino International Corporation ; [collection compiled by David Shepard].

Abstract:

Four films linked by having scores composed by Benjamin Britten. This series is a collection of twenty individual full length films representative of the British Documentary Film Movement. The films cover the twenty-two year period of British documentary production starting with the works of the EMB (Empire Marketing Board) and continue through the postwar era.

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