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Benjamin Britten : Coal face, Night mail, Instruments of the orchestra, Steps of the ballet

Auteur: Benjamin BrittenAlberto CavalcantiBasil WrightHarry WattMuir MathiesonAlle auteurs
Uitgever: New York : Kino Video, 1992.
Serie: British documentary movement, v. 3.
Editie/Formaat:   VHS-video : VHS-band   Visueel materiaal : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
Four films linked by having scores composed by Benjamin Britten. This series is a collection of twenty individual full length films representative of the British Documentary Film Movement. The films cover the twenty-two year period of British documentary production starting with the works of the EMB (Empire Marketing Board) and continue through the postwar era.
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Details

Genre/Vorm: Short films
Criticism, interpretation, etc
Documentary films
Nonfiction films
Genre: Video-opname
Soort document Visueel materiaal
Alle auteurs / medewerkers: Benjamin Britten; Alberto Cavalcanti; Basil Wright; Harry Watt; Muir Mathieson; David Shepard; Kino International Corporation.
OCLC-nummer: 27664211
Credits: Program notes by Charles Musser.
Beschrijving: 1 videocassette (80 min.) : sound, black and white ; 1/2 in.
Details: VHS format.
Inhoud: Coal face, 1935 (12 min.) / written and directed by Alberto Cavalcanti ; music, Benjamin Britten --
Night mail, 1936 (24 min.) / directors Basil Wright and Harry Watt ; music, Benjamin Britten --
Instruments of the Orchestra, 1947 (20 min.) / directed by Muir Mathieson ; music, Benjamin Britten --
Steps of the ballet, 1948 (24 min.) / directed by Muir Mathieson ; music, Benjamin Britten.
Serietitel: British documentary movement, v. 3.
Andere titels: Coal face.
Instruments of the orchestra.
Steps of the ballet.
Night mail (Motion picture : 1936)
Verantwoordelijkheid: Kino International Corporation ; [collection compiled by David Shepard].

Fragment:

Four films linked by having scores composed by Benjamin Britten. This series is a collection of twenty individual full length films representative of the British Documentary Film Movement. The films cover the twenty-two year period of British documentary production starting with the works of the EMB (Empire Marketing Board) and continue through the postwar era.

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