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Benjamin Britten : Coal face, Night mail, Instruments of the orchestra, Steps of the ballet

ผู้แต่ง: Benjamin BrittenAlberto CavalcantiBasil WrightHarry WattMuir Mathiesonผู้แต่งทั้งหมด
สำนักพิมพ์: New York : Kino Video, 1992.
ชุด: British documentary movement, v. 3.
ครั้งที่พิมพ์/รูปแบบ:   วีดีโอ VHS : วีเอชเอสเทป   วัสดุที่มองเห็นได้ : ภาษาอังกฤษ
ฐานข้อมูล:WorldCat
สรุป:
Four films linked by having scores composed by Benjamin Britten. This series is a collection of twenty individual full length films representative of the British Documentary Film Movement. The films cover the twenty-two year period of British documentary production starting with the works of the EMB (Empire Marketing Board) and continue through the postwar era.
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ประเภท/แบบฟอร์ม Nonfiction films
Documentary films
Short films
Criticism, interpretation, etc
ขนิดวัสดุ: การบันทึกวิดีโอ
ประเภทของเอกสาร: วัสดุที่มองเห็นได้
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Benjamin Britten; Alberto Cavalcanti; Basil Wright; Harry Watt; Muir Mathieson; David Shepard; Kino International Corporation.
OCLC Number: 27664211
เครดิต: Program notes by Charles Musser.
คำอธิบาย: 1 videocassette (80 min.) : sd., b&w ; 1/2 in.
รายละเอียด: VHS format.
สารบัญ: Coal face, 1935 (12 min.) / written and directed by Alberto Cavalcanti ; music, Benjamin Britten --
Night mail, 1936 (24 min.) / directors Basil Wright and Harry Watt ; music, Benjamin Britten --
Instruments of the Orchestra, 1947 (20 min.) / directed by Muir Mathieson ; music, Benjamin Britten --
Steps of the ballet, 1948 (24 min.) / directed by Muir Mathieson ; music, Benjamin Britten.
ชื่อชุด: British documentary movement, v. 3.
ชื่อเรื่องอื่น: Coal face.
Instruments of the orchestra.
Steps of the ballet.
Night mail (Motion picture : 1936)
ความรับผิดชอบ: Kino International Corporation ; [collection compiled by David Shepard].

บทคัดย่อ:

Four films linked by having scores composed by Benjamin Britten. This series is a collection of twenty individual full length films representative of the British Documentary Film Movement. The films cover the twenty-two year period of British documentary production starting with the works of the EMB (Empire Marketing Board) and continue through the postwar era.

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