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Benton, Pollock, and the politics of modernism : from regionalism to abstract expressionism

Autor Erika Doss
Vydavatel: Chicago : University of Chicago Press, 1991.
Vydání/formát:   Tištěná kniha : State or province government publication : EnglishZobrazit všechny vydání a formáty
Shrnutí:
"In this acclaimed revisionist study, Doss chronicles a historic cultural change in American art from the dominance of regionalism in the 1930s to abstract expressionism in the 1940s. She centers her study on Thomas Hart Benton and Jackson Pollock, Benton's foremost student in the early thirties, charting Pollock's early imitation of Benton's style before his radical move to abstraction. By situating painting within  Přečíst více...
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Detaily

Žánr/forma: Criticism, interpretation, etc
History
Osoba: Thomas Hart Benton; Jackson Pollock; Thomas Hart Benton; Jackson Pollock; Thomas Hart Benton; Jackson Pollock
Typ materiálu: Government publication, State or province government publication, Internetový zdroj
Typ dokumentu Kniha, Internetový zdroj
Všichni autoři/tvůrci: Erika Doss
ISBN: 0226159426 9780226159423
OCLC číslo: 23731972
Popis: xvi, 445 pages : illustrations ; 25 cm
Obsahy: List of Illustrations Acknowledgments Introduction 1: Republicanism and Modernism: The Genesis of Regionalism in The American Historical Epic 2: Liberal Reform and the American Scene: Benton's 1930s Murals 3: Thomas Hart Benton in Hollywood: Regionalist Art and Corporate Patronage 4: Modernist Accommodation, Corporate Appropriation: The Collapse of Regionalism and the New Deal 5: From Regionalism to Abstract Expressionism: Modern Art and Consensus Politics in Postwar America 6: The Misconstruction of Abstract Expressionism: Institutional Orthodoxy and Commodification Index
Odpovědnost: Erika Doss.
Více informací

Anotace:

"In this acclaimed revisionist study, Doss chronicles a historic cultural change in American art from the dominance of regionalism in the 1930s to abstract expressionism in the 1940s. She centers her study on Thomas Hart Benton and Jackson Pollock, Benton's foremost student in the early thirties, charting Pollock's early imitation of Benton's style before his radical move to abstraction. By situating painting within the evolving sociopolitical and cultural context of the Depression and the Cold War, Doss explains the reasons for this change and casts light on its significance for contemporary culture."--Jacket.

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