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Berlioz and the romantic century

Author: Jacques Barzun
Publisher: New York : Columbia University Press, 1969.
Edition/Format:   Print book : Biography : English : 3rd edView all editions and formats
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Genre/Form: Biographies
Additional Physical Format: Online version:
Barzun, Jacques, 1907-
Berlioz and the romantic century.
New York, Columbia University Press, 1969
(OCoLC)592759967
Online version:
Barzun, Jacques, 1907-
Berlioz and the romantic century.
New York, Columbia University Press, 1969
(OCoLC)607840213
Named Person: Hector Berlioz; Hector Berlioz; Hector Berlioz
Material Type: Biography
Document Type: Book
All Authors / Contributors: Jacques Barzun
ISBN: 0231031351 9780231031356
OCLC Number: 50561
Notes: "Errors in the 'complete' edition of the scores": v. 2, p. [358]-381.
Description: 2 volumes : illustrations, portraits ; 24 cm
Contents: France : 1. Time, Place, Persons ; 2. Ce qu'on entend sur la montagne ; 3. Opera and conservatoire ; 4. Faustian man ; 5. Revolution in July ; 6. Reveries and passions: Symphonie fantastique ; 7. Interchapter: Program music and the unicorn. Italy : 8. Roman holiday: Lelio ; 9. Recollected in tranquility: Harold in Italy ; 10. The gothic tradition: Requiem mass ; 11. The hero as artist: Benvenuto Cellini ; 12. The dramatic symphony: Romeo and Juliet ; 13. Vox populi: funeral and triumphal symphony ; 14. Interchapter: The century of romanticism. Germany : 15. Music for Europe: A travers chants ; 16. The art of composition: the treatise ; 17. Form and philosophy: The Damnation of Faust ; 18. Song in time of revolution ; 19. Vision of a virtuoso: Te Deum. 20. Interchapter: memoirs of Art and Life ; England, Germany, and Russia : 21. Victorian London: Evenings with the orchestra ; 22. Religious History: The infant Christ ; 23. Virgilian music drama: The Trojans ; 24. Esthetes abroad: Wagner, Liszt, and the princess ; 25. Prospero's farewell: Beatrice and Benedict ; 26. Empire and industry: Les grotesques ; 27. Holy Russia and giddy France: 33 melodies ; 28. Memory's end. Supplements: I. Berlioz' Afterfame ; II. Biographer's fallacy: Boschot's Berlioz ; III. Desiderata; Present state of Berlioz studies ; IV. Euphonia and Bayreuth: Musical cities ; V. Berlioz on the future of rhythm ; VI. The fetish of form.
Responsibility: Jacques Barzun.

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