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Bernini : art as theatre

저자: Genevieve Warwick
출판사: New Haven ; London : Yale University Press, [2012]
판/형식:   Print book : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
"Bernini: Art as Theatre forges a new analysis of Baroque illusionism through a study of this artist's sculptural ensembles. Gian Lorenzo Bernini (1598-1680) was a sculptor, architect, and painter, but also a court scenographer, playwright, actor, and director. Bernini's work in theater served as a wellspring for his art's visual effects. Theater was the dominant cultural paradigm of the Baroque, manifest in the  더 읽기…
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상세정보

장르/형태: Criticism, interpretation, etc
명시된 사람: Gian Lorenzo Bernini; Gian Lorenzo Bernini; Gian Lorenzo Bernini
문서 형식:
모든 저자 / 참여자: Genevieve Warwick
ISBN: 9780300187069 0300187068
OCLC 번호: 830988519
설명: ix, 308 pages : illustrations ; 27 cm
내용: Palace scenographies --
Theatres of piety --
Pastorals --
Fountain and festival --
The performance of practice.
책임: Genevieve Warwick.

초록:

Drawing parallels between visual and theatrical arts, and highlighting the dramatic amplification of religious art in the period, this study provides a model that can be extended beyond Gian Lorenzo  더 읽기…

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Primary Entity

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    schema:description ""Bernini: Art as Theatre forges a new analysis of Baroque illusionism through a study of this artist's sculptural ensembles. Gian Lorenzo Bernini (1598-1680) was a sculptor, architect, and painter, but also a court scenographer, playwright, actor, and director. Bernini's work in theater served as a wellspring for his art's visual effects. Theater was the dominant cultural paradigm of the Baroque, manifest in the rise of opera and ballet, as well as increasingly magnificent scenographic technologies for the performed rituals of church and court. Bernini drew on a lexicon of theatrical effects, deploying light, movement, and a fusion of fictive and physical space to render new forms of artistic illusion in both his sculptural mise-en-scènes and his stage sets. The force of his art's illusionistic powers lay in a fiction of materials effected through medial exchanges between sculpture, painting, and architecture. This book opens up provocative new frameworks for the analysis of Baroque illusionism extending beyond Bernini to a reconsideration of 17th-century visual culture as a whole."--Publisher's website."@en ;
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<http://viaf.org/viaf/10020974> # Genevieve Warwick
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