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Betye Saar : extending the frozen moment

Auteur: Betye Saar; James Christen Steward; University of Michigan. Museum of Art.; Norton Museum of Art.; Pennsylvania Academy of the Fine Arts.; et al
Uitgever: Ann Arbor : University of Michigan Museum of Art ; Berkeley : University of California Press, ©2005.
Editie/Formaat:   Boek : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
An illustrated collection of mixed-media collages by early twentieth-century African-American artist Betye Saar that blends spiritual, political, and cultural iconography to create complex works.
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Genre/Vorm: Exhibitions
Expositions
Aanvullende fysieke materiaalsoort: Online version:
Saar, Betye.
Betye Saar.
Ann Arbor : University of Michigan Museum of Art ; Berkeley : University of California Press, c2005
(OCoLC)607775727
Genoemd persoon: Betye Saar; Betye Saar; Betye Saar; Betye Saar
Genre: Internetbron
Soort document: Boek, Internetbron
Alle auteurs / medewerkers: Betye Saar; James Christen Steward; University of Michigan. Museum of Art.; Norton Museum of Art.; Pennsylvania Academy of the Fine Arts.; et al
ISBN: 0520246624 9780520246621
OCLC-nummer: 60715253
Opmerkingen: Published in conjunction with the exhibition Betye Saar: extending the frozen moment, held at the University of Michigan Museum of Art, Ann Arbor, Oct. 15, 2005-Jan. 8, 2006; at the Norton Museum, West Palm Beach, Florida, Mar. 18-June 11, 2006; and at the Pennsylvania Academy of the Fine Arts, Philadelphia, Sept. 8-Dec. 3, 2006.
Beschrijving: 176 p. : ill. (chiefly col.) ; 31 cm.
Inhoud: Acknowledgments / James Christen Steward --
Artist's statement / Betye Saar --
"Lest we forget": the liberating art of Betye Saar / James Christen Steward --
Looks and gazes: photographic fragmentation and the found object / Deborah Willis --
To/from Los Angeles with Betye Saar / Kellie Jones --
Reverencing the mortal: assemblage art as prophetic protest in post-World Warr II California / Richard Cándida Smith --
From frozen moment to spectator participation: assemblage and installation in the oeuvre of Betye Saar / Lowery Stokes Sims --
Plates and catalogue entries / Sean M. Ulmer, Katharine Derosier Weiss --
Mysticism --
Ancestry and ritual --
Racial imagery and stereotypes --
Nostalgia and memory --
Aunt Hattie --
Colored --
Notes to the catalogue entries --
Artist's chronology --
Selected bibliography --
Index --
Photo credits.
Verantwoordelijkheid: essays by James Christen Steward ... [et al.].
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Betye Saar, born in Los Angeles in 1926, emerged in the 1960s as a powerful figure in the redefinition of African American art. This provides multiple vantage points from which to gain a richer  Meer lezen...

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"Saar is undeniably one of the most visionary artists to emerge in the last forty years. A master storyteller, she gathers together materials bearing the weight of history to create new memories, Meer lezen...

 
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