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Birth and death in nineteenth-century french culture

Author: Nigel Harkness; Society of Dix-Neuviémistes. Conference
Publisher: Amsterdam ; New York : Rodopi, 2007.
Series: Faux titre, no 301.
Edition/Format:   eBook : Document : Conference publication : EnglishView all editions and formats
Summary:
This volume draws contributors from around the globe who represent the full range of approaches to scholarship in nineteenth-century French studies: historical, literary, cultural, art historical, philosophical, and comparative. The theme of the volume - Birth and Death - is one with particular resonance for nineteenth-century French studies, since the nineteenth century is commonly perceived as an age of new life  Read more...
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Genre/Form: Electronic books
Conference papers and proceedings
Criticism, interpretation, etc
Congresses
Congrès
Additional Physical Format: Print version:
Birth and death in nineteenth-century french culture.
Amsterdam ; New York : Rodopi, 2007
(OCoLC)170956282
Material Type: Conference publication, Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Nigel Harkness; Society of Dix-Neuviémistes. Conference
ISBN: 9781435612471 1435612477 9789401204866 9401204861 1282265563 9781282265561 9042022604 9789042022607
OCLC Number: 182847729
Language Note: English and French.
Notes: "The essays contained in this volume were first presented at the third annual conference of the Society of Dix-Neuviémistes, which took place at Queen's University Belfast in April 2005"--Acknowledgments.
Description: 1 online resource (260 pages) : illustrations.
Contents: Birth and Death in Nineteenth-Century French Culture; Contents; Acknowledgments; Introduction; George Sand: la genèse des fins de romans; Flaubert, Apuleius and Ovid: The Genesis of a Recurring Theme; Perdue en traduction: Translation, Betrayal and Death in Mérimée's Carmen; Le Tombeau de la Poésie: Strategies of Textual Resurrection in Mallarmé and Banville; Wilde's Salomé: Tenses, Tension and Progression in Salomé's Final Monologue; Figures de l'artiste et comédiens du réel: de la difficile naissance à l'implacable mort dans La Comédie humaine.
Series Title: Faux titre, no 301.
Responsibility: edited by Nigel Harkness [and others].

Abstract:

States that in the context of the dialectical quality of nineteenth-century French culture, caught between an obsession with the new and innovative and a paranoid sense of its own encroaching decay,  Read more...

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