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Black square : Malevich and the origin of suprematism

Auteur: Aleksandra Semenovna Shatskikh; Marian Schwartz
Uitgever: New Haven : Yale University Press, [2012] ©2012
Editie/Formaat:   Boek : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
"Kazimir Malevich's painting Black Square is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in world artistic culture at its inception. None of Malevich's contemporary revolutionaries created a manifesto, an emblem, as capacious and in its own way unique as this work; it became both the quintessence of the Russian avant-gardist's own art--which he called  Meer lezen...
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Details

Genoemd persoon: Kazimir Severinovich Malevich; Kazimir Severinovich Malevich
Soort document: Boek
Alle auteurs / medewerkers: Aleksandra Semenovna Shatskikh; Marian Schwartz
ISBN: 9780300140897 0300140894
OCLC-nummer: 785864576
Taalopmerking: In English; translated from Russian.
Beschrijving: xvii, 346 pages : illustrations, portraits ; 25 cm
Inhoud: The Birth of Black Square --
On the Threshold of "0.10" --
From "0.10" to "Store" --
The Supremus Society --
The End of Painting.
Andere titels: Chernyĭ kvadrat.
Verantwoordelijkheid: Aleksandra Shatskikh ; translated by Marian Schwartz.

Fragment:

Kazimir Malevich's painting "Black Square" is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in artistic culture at its inception. Writing about this  Meer lezen...

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Gekoppelde data


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schema:description""Kazimir Malevich's painting Black Square is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in world artistic culture at its inception. None of Malevich's contemporary revolutionaries created a manifesto, an emblem, as capacious and in its own way unique as this work; it became both the quintessence of the Russian avant-gardist's own art--which he called Suprematism--and a milestone on the highway of world art. Writing about this single painting, Aleksandra Shatskikh sheds new light on Malevich, the Suprematist movement, and the Russian avant-garde. Malevich devoted his entire life to explicating Black Square's meanings. This process engendered a great legacy: the original abstract movement in painting and its theoretical grounding; philosophical treatises; architectural models; new art pedagogy; innovative approaches to theater, music, and poetry; and the creation of a new visual environment through the introduction of decorative applied designs. All of this together spoke to the tremendous potential for innovative shape and thought formation concentrated in Black Square. To this day, many circumstances and events of the origins of Suprematism have remained obscure and have sprouted arbitrary interpretations and fictions. Close study of archival materials and testimonies of contemporaries synchronous to the events described has allowed this author to establish the true genesis of Suprematism and its principal painting"--Publisher's website."@en
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