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Black square : Malevich and the origin of suprematism

Author: Aleksandra Semenovna Shatskikh
Publisher: New Haven, Conn. ; London : Yale University Press, 2013.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:

An in-depth exploration of Malevich's pivotal painting, its context and its significance

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Genre/Form: Criticism, interpretation, etc
Named Person: Kazimir Severinovich Malevich; Kazimir Severinovich Malevich
Document Type: Book
All Authors / Contributors: Aleksandra Semenovna Shatskikh
ISBN: 9780300140897 0300140894
OCLC Number: 810947210
Language Note: Translated from the Russian.
Description: pages cm
Contents: The birth of Black Square --
Fevralism, forerunner of suprematism --
The rise of suprematism --
On the threshold of suprematism in Fall 1915 --
N.M. Davydova and suprematism's public affirmation --
Russian and English geometric nonobjectivity --
The first Verbovka exhibition --
The "Amazons" and suprematism --
From "0.10" to "store" --
"0.10": the last futurist exhibition --
Vladimir Tatlin's "store" exhibition --
"I the apostle of new concepts in art ..." --
The supremus society --
Under the sign of supremus --
The supremus society in the first half of 1917 --
Supremus --
Kazimir Malevich and Nikolai Roslavets --
Aleksei Kruchenykh in Supremus --
"Azef-Judas-Khlebnikov" --
The Supremus society's finale --
The end of painting --
Malevich's color-painting in late 1917 and the first half of 1918 --
"There can be no question of painting in suprematism" --
Epilogue.
Responsibility: Aleksandra Shatskikh ; translated by Marian Schwartz.

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"Black Square offers a productive critique of the artist's numerous attempts to rewrite his biography and the history of Suprematism. One of the book's most substantial contributions is its Read more...

 
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