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Blues and bliss : the poetry of George Elliott Clarke

著者: George Elliott Clarke; Jon Paul Fiorentino
出版商: Waterloo, Ont. : Wilfrid Laurier University Press, ©2008.
丛书: Laurier poetry series.
版本/格式:   打印图书 : 诗歌 : 英语查看所有的版本和格式
提要:
"Blues singer, preacher, cultural critic, exile, Africadian, high modernist, spoken word artist, Canadian poet - these are but some of the voices of George Elliott Clarke. In a selection of Clarke's best work from his early poetry to his most recent, Blues and Bliss: The Poetry of George Elliott Clarke offers readers an impressive cross-section of those voices. Jon Paul Fiorentino s introduction focuses on this  再读一些...
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类型/形式: Poetry
文档类型 图书
所有的著者/提供者: George Elliott Clarke; Jon Paul Fiorentino
ISBN: 9781554580606 1554580609
OCLC号码: 244300205
描述: xvii, 66 pages ; 23 cm.
丛书名: Laurier poetry series.
责任: selected with an introduction by Jon Paul Fiorentino ; and an afterword by George Elliott Clarke.

摘要:

Blues singer, preacher, cultural critic, exile, Africadian, high modernist, spoken word artist, Canadian poet - these are but some of the voices of George Elliott Clarke. In a selection of Clarke's  再读一些...

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In being removed from their original contexts, these poems shine anew. Viewed apart from the rest of the poems in Black, Letter to a Young Poet seems even stranger, a successful and disturbing piece 再读一些...

 
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   schema:reviewBody ""Blues singer, preacher, cultural critic, exile, Africadian, high modernist, spoken word artist, Canadian poet - these are but some of the voices of George Elliott Clarke. In a selection of Clarke's best work from his early poetry to his most recent, Blues and Bliss: The Poetry of George Elliott Clarke offers readers an impressive cross-section of those voices. Jon Paul Fiorentino s introduction focuses on this polyphony, his influences - Derek Walcott, Amiri Baraka, and the canon of literary English from Shakespeare to Yeats - and his "voice throwing," and shows how the intersections here produce a "troubling" of language. He sketches Clarke's primary interest in the negotiation of cultural space through adherence to and revision of tradition and on the finding of a vernacular that begins in exile, especially exile in relation to African-Canadian communities." "In the afterword, Clarke, in an interesting re-spin of Fiorentino's introduction, writes with patented gusto about how his experiences have contributed to multiple sounds and forms in his work. Decrying any grandiose notions of theory, he presents himself as primarily a songwriter."--BOOK JACKET." ;
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