doorgaan naar inhoud
Blues legacies and Black feminism : Gertrude Voorbeeldweergave van dit item
SluitenVoorbeeldweergave van dit item
Bezig met controle...

Blues legacies and Black feminism : Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday

Auteur: Angela Y Davis
Uitgever: New York : Pantheon Books, ©1998.
Editie/Formaat:   Boek : Biografie : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
Jazz, it is widely accepted, is the signal original American contribution to world culture. Angela Davis shows us how the roots of that form in the blues must be viewed not only as a musical tradition but as a life-sustaining vehicle for an alternative black working-class collective memory and social consciousness profoundly at odds with mainstream American middle-class values. And she explains how the tradition of
Beoordeling:

(nog niet beoordeeld) 0 met beoordelingen - U bent de eerste

Onderwerpen
Meer in deze trant

 

Zoeken naar een in de bibliotheek beschikbaar exemplaar

&AllPage.SpinnerRetrieving; Bibliotheken met dit item worden gezocht…

Details

Aanvullende fysieke materiaalsoort: Online version:
Davis, Angela Y. (Angela Yvonne), 1944-
Blues legacies and Black feminism.
New York : Pantheon Books, c1998
(OCoLC)605408550
Genoemd persoon: Ma Rainey; Bessie Smith; Billie Holiday; Gertrude Rainey; Bessie Smith; Billie Holiday
Genre: Biografie
Soort document: Boek
Alle auteurs / medewerkers: Angela Y Davis
ISBN: 067945005X 9780679450054
OCLC-nummer: 37418303
Onderscheidingen: American Book Award, 1998
Beschrijving: xx, 427 p. : ill. ; 25 cm.
Inhoud: I used to be your sweet mama : ideology, sexuality, and domesticity --
Mama's got the blues : rivals, girlfriends, and advisors --
Here come my train : traveling themes and women's blues --
Blame it on the blues : Bessie Smith, Gertrude "Ma" Rainey, and the politics of blues protest --
Preaching the blues : spirituality and self-consciousness --
Up in Harlem every Saturday night : blues and the Black aesthetic --
When a woman loves a man : social implications of Billie Holiday's love songs --
"Strange fruit" : music and social consciousness --
Lyrics to songs recorded by Gertrude "Ma" Rainey --
Lyrics to songs recorded by Bessie Smith.
Verantwoordelijkheid: Angela Y. Davis.

Fragment:

Jazz, it is widely accepted, is the signal original American contribution to world culture. Angela Davis shows us how the roots of that form in the blues must be viewed not only as a musical tradition but as a life-sustaining vehicle for an alternative black working-class collective memory and social consciousness profoundly at odds with mainstream American middle-class values. And she explains how the tradition of black women blues singers - represented by Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday - embodies not only an artistic triumph and aesthetic dominance over a hostile popular music industry but an unacknowledged proto-feminist consciousness within working-class black communities.

Through a close and riveting analysis of these artists' performances, words, and lives, Davis uncovers the unmistakable assertion and uncompromising celebration of non-middle-class, non-heterosexual social, moral, and sexual values.

Beoordelingen

Beoordelingen door gebruikers
Beoordelingen van GoodReads worden opgehaald...
Bezig met opvragen DOGObooks-reviews...

Tags

U bent de eerste.
Bevestig deze aanvraag

Misschien heeft u dit item reeds aangevraagd. Selecteer a.u.b. Ok als u toch wilt doorgaan met deze aanvraag.

Gekoppelde data


<http://www.worldcat.org/oclc/37418303>
library:oclcnum"37418303"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/37418303>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:awards"American Book Award, 1998"
schema:copyrightYear"1998"
schema:creator
schema:datePublished"1998"
schema:description"Jazz, it is widely accepted, is the signal original American contribution to world culture. Angela Davis shows us how the roots of that form in the blues must be viewed not only as a musical tradition but as a life-sustaining vehicle for an alternative black working-class collective memory and social consciousness profoundly at odds with mainstream American middle-class values. And she explains how the tradition of black women blues singers - represented by Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday - embodies not only an artistic triumph and aesthetic dominance over a hostile popular music industry but an unacknowledged proto-feminist consciousness within working-class black communities."@en
schema:description"I used to be your sweet mama : ideology, sexuality, and domesticity -- Mama's got the blues : rivals, girlfriends, and advisors -- Here come my train : traveling themes and women's blues -- Blame it on the blues : Bessie Smith, Gertrude "Ma" Rainey, and the politics of blues protest -- Preaching the blues : spirituality and self-consciousness -- Up in Harlem every Saturday night : blues and the Black aesthetic -- When a woman loves a man : social implications of Billie Holiday's love songs -- "Strange fruit" : music and social consciousness -- Lyrics to songs recorded by Gertrude "Ma" Rainey -- Lyrics to songs recorded by Bessie Smith."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/837013547>
schema:genre"Criticism, interpretation, etc."@en
schema:genre"Texts"@en
schema:inLanguage"en"
schema:name"Blues legacies and Black feminism : Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday"@en
schema:numberOfPages"427"
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Venster sluiten

Meld u aan bij WorldCat 

Heeft u geen account? U kunt eenvoudig een nieuwe gratis account aanmaken.