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Bonnie Prince Charlie and the making of a myth : a study in portraiture, 1720-1892

著者: Robin Nicholson
出版: Lewisburg : Bucknell University Press ; London : Associated University Presses, ©2002.
エディション/フォーマット:   book_printbook : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"The subject of this book - an Italian-born exiled prince - has become an icon of misjudged romanticism and Scottish nationalism; much of this is due to the way he has been portrayed over the years. This study traces how the enduring visual image of Prince Charles Edward Stuart was created, beginning with his birth in 1720 and ending with the exhibition of John Pettie's Prince Charles Edward Stuart Entering the  続きを読む
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ジャンル/形式: History
Biography
Portraits
その他のフォーマット: Online version:
Nicholson, Robin, 1966-
Bonnie Prince Charlie and the making of a myth.
Lewisburg : Bucknell University Press ; London : Associated University Presses, ©2002
(OCoLC)606735657
関連の人物: Charles Edward, Prince grandson of James II King of England; Charles Edward, Prince grandson of James II King of England; Charles Edward, Prince grandson of James II King of England; Charles Edward, Prince grandson of James II King of England; Charles Edward Stuart; Charles Edward Stuart
ドキュメントの種類: 図書
すべての著者/寄与者: Robin Nicholson
ISBN: 0838754953 9780838754955
OCLC No.: 47797874
物理形態: 156 pages, [8] pages of plates : illustrations (some color) ; 29 cm
コンテンツ: Introduction: Portraiture and Pretense --
The Stuart Court and the Myths of Kingship, 1603-1720 --
"A Phoenix is born o'er in Rome": Artistic Response to the Stuart Heir --
"A Highland Laddie": The Early Tartan Portraits, 1740-1760 --
The Elusive Subject, 1746-1788 --
The Cult of "Bonnie Prince Charlie," 1760-1840 --
"Stuart blood is in my veins": Victorian Reinvention --
A Checklist of Portraits of Prince Charles Edward Stuart --
A List of Significant Misattributed or Misidentified Portraits --
Nineteenth-Century Paintaings of Jacobite Subjects.
責任者: Robin Nicholson.

概要:

"The subject of this book - an Italian-born exiled prince - has become an icon of misjudged romanticism and Scottish nationalism; much of this is due to the way he has been portrayed over the years. This study traces how the enduring visual image of Prince Charles Edward Stuart was created, beginning with his birth in 1720 and ending with the exhibition of John Pettie's Prince Charles Edward Stuart Entering the Ballroom at Holyrood - probably still the most enduring and popular image of the Stuart prince - at the Royal Academy in 1892"--Jacket.

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