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Bonnie Prince Charlie and the making of a myth : a study in portraiture, 1720-1892

著者: Robin Nicholson
出版商: Lewisburg : Bucknell University Press ; London : Associated University Presses, ©2002.
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"The subject of this book - an Italian-born exiled prince - has become an icon of misjudged romanticism and Scottish nationalism; much of this is due to the way he has been portrayed over the years. This study traces how the enduring visual image of Prince Charles Edward Stuart was created, beginning with his birth in 1720 and ending with the exhibition of John Pettie's Prince Charles Edward Stuart Entering the  再读一些...
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详细书目

类型/形式: History
Biography
Portraits
附加的形体格式: Online version:
Nicholson, Robin, 1966-
Bonnie Prince Charlie and the making of a myth.
Lewisburg : Bucknell University Press ; London : Associated University Presses, ©2002
(OCoLC)606735657
提及的人: Charles Edward, Prince grandson of James II King of England; Charles Edward, Prince grandson of James II King of England; Charles Edward, Prince grandson of James II King of England; Charles Edward, Prince grandson of James II King of England; Charles Edward Stuart; Charles Edward Stuart
文件类型:
所有的著者/提供者: Robin Nicholson
ISBN: 0838754953 9780838754955
OCLC号码: 47797874
描述: 156 pages, [8] pages of plates : illustrations (some color) ; 29 cm
内容: Introduction: Portraiture and Pretense --
The Stuart Court and the Myths of Kingship, 1603-1720 --
"A Phoenix is born o'er in Rome": Artistic Response to the Stuart Heir --
"A Highland Laddie": The Early Tartan Portraits, 1740-1760 --
The Elusive Subject, 1746-1788 --
The Cult of "Bonnie Prince Charlie," 1760-1840 --
"Stuart blood is in my veins": Victorian Reinvention --
A Checklist of Portraits of Prince Charles Edward Stuart --
A List of Significant Misattributed or Misidentified Portraits --
Nineteenth-Century Paintaings of Jacobite Subjects.
责任: Robin Nicholson.

摘要:

"The subject of this book - an Italian-born exiled prince - has become an icon of misjudged romanticism and Scottish nationalism; much of this is due to the way he has been portrayed over the years. This study traces how the enduring visual image of Prince Charles Edward Stuart was created, beginning with his birth in 1720 and ending with the exhibition of John Pettie's Prince Charles Edward Stuart Entering the Ballroom at Holyrood - probably still the most enduring and popular image of the Stuart prince - at the Royal Academy in 1892"--Jacket.

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