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The book of Yeats's Vision : romantic modernism and antithetical tradition

著者: Hazard Adams
出版商: Ann Arbor : University of Michigan Press, ©1995.
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"In this sequel to his critical study of Yeats's poems, Hazard Adams turns to Yeats's odd, eccentric, comic, and finally serious prose work A Vision. A Vision has long exasperated some readers with its occultist connections and strange, pseudo-geometrical diagrams and intrigued others with its odd origins and complex thought. Adams argues that the book is of extraordinary interest for its literary merit, its place  再读一些...
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附加的形体格式: Online version:
Adams, Hazard, 1926-
Book of Yeats's Vision.
Ann Arbor : University of Michigan Press, ©1995
(OCoLC)680577862
提及的人: W B Yeats
文件类型:
所有的著者/提供者: Hazard Adams
ISBN: 0472106236 9780472106233 047210621X 9780472106219
OCLC号码: 33101599
描述: xiv, 178 pages : illustrations ; 24 cm
责任: by Hazard Adams.
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摘要:

Presents the only fully critical reading of "A Vision"  再读一些...

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   schema:reviewBody ""In this sequel to his critical study of Yeats's poems, Hazard Adams turns to Yeats's odd, eccentric, comic, and finally serious prose work A Vision. A Vision has long exasperated some readers with its occultist connections and strange, pseudo-geometrical diagrams and intrigued others with its odd origins and complex thought. Adams argues that the book is of extraordinary interest for its literary merit, its place in intellectual history as an example of romanticism's persistence in modernism, and its oblique defense of poetic fiction-making." "Rather than treating the book in terms of its historical and biographical genesis, Adams discusses the finished product as it appeared in 1937, a uniquely woven fictional fabric in which Yeats invents himself as a character. The "technical" sections of A Vision are presented as part of this drama and are illustrated by charts that appeared originally in A Vision and explanatory ones by the author." "In addition to his careful reading of the text, Adams shows that A Vision also presents a theory of poetry, art, and myth that goes under the Yeatsian term "antitheticality." This notion, which governs all of the dimensions of A Vision - philosophical, aesthetic, historical, and psychological - is drawn from a tradition stretching back to pre-Socratic ideas of warring opposites, through Giambattista Vico's account of "poetic wisdom" and William Blake's concept of "contraries.""--Jacket." ;
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