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Botero

Auteur : Fernando Botero; José María Faerna
Éditeur: New York : Cameo/Abrams, 1997.
Collection: Great modern masters.
Édition/format:   Livre imprimé : AnglaisVoir toutes les éditions et tous les formats
Résumé:
Best known for his voluptuous, other-worldly figures, Botero sees distortion of forms as the essence of art, and he often reworks familiar images by artists such as Leonardo, Cezanne, Valezquez and Manet in his own distinctive style. One section of the book is devoted entirely to these "paraphrases", while other chapters focus on self-portraits, nudes, still-lifes, figures and characters, and life in Colombia.--From  Lire la suite...
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Détails

Genre/forme: Catalogs
Criticism, interpretation, etc
Format – détails additionnels: Online version:
Botero, Fernando, 1932-
Botero.
New York : Cameo/Abrams, 1997
(OCoLC)629806826
Personne nommée: Fernando Botero; Fernando Botero; Fernando Botero
Type de document: Livre
Tous les auteurs / collaborateurs: Fernando Botero; José María Faerna
ISBN: 0810946815 9780810946811
Numéro OCLC: 36898037
Description: 64 pages : illustrations (some color) ; 32 cm.
Titre de collection: Great modern masters.
Autres titres: Botero.
Responsabilité: general editor, José María Faerna ; translated from the Spanish by Alberto Curotto.

Résumé:

Best known for his voluptuous, other-worldly figures, Botero sees distortion of forms as the essence of art, and he often reworks familiar images by artists such as Leonardo, Cezanne, Valezquez and Manet in his own distinctive style. One section of the book is devoted entirely to these "paraphrases", while other chapters focus on self-portraits, nudes, still-lifes, figures and characters, and life in Colombia.--From publisher description.

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Données liées


Primary Entity

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