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Bound to please : a history of the Victorian corset

Author: Leigh Summers
Publisher: Oxford ; New York : Berg, 2001.
Series: Dress, body, culture.
Edition/Format:   Book : EnglishView all editions and formats
Summary:
Corsets, and the corseted body, have been fetishized, mythologized and romanticized. This Victorian icon has inspired passionate debate that is unrivalled by any other article of clothing and surpassed as a means of body modification only perhaps by foot binding and female circumcision. Summers' provocative book dismantles many of the commonly held misconceptions about the corset. It focuses on how corsetry punished,  Read more...
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Additional Physical Format: Online version:
Summers, Leigh.
Bound to please.
Oxford ; New York : Berg, 2001
(OCoLC)606575683
Document Type: Book
All Authors / Contributors: Leigh Summers
ISBN: 1859735304 185973510X 9781859735305 9781859735107
OCLC Number: 47355141
Description: 302 p. : ill. ; 25 cm.
Contents: 'Elegance comfort durability!'class, contours, and corsetry --
Corsetry and the invisibility of the maternal body --
The child, the corset, and the construction of female sexuality --
Corsetry and the reality of 'female complaints' --
Breathless with anticipation: romance, morbidity and the corset --
Not in that corset: gender, gymnastics, and the cultivation of the late nineteenth-century female body --
Corsetry, advertising, and multiple readings of the nineteenth-century female body.
Series Title: Dress, body, culture.
Responsibility: Leigh Summers.
More information:

Abstract:

Corsets, and the corseted body, have been fetishized, mythologized and romanticized. This Victorian icon has inspired passionate debate that is unrivalled by any other article of clothing and surpassed as a means of body modification only perhaps by foot binding and female circumcision. Summers' provocative book dismantles many of the commonly held misconceptions about the corset. It focuses on how corsetry punished, regulated and sculpted the female form from childhood and adolescence through to pregnancy and even old age. The author reveals how the "steels and bones," which damaged bodies and undermined mental health, were a crucial element in constructing middle-class women as psychologically submissive subjects. Underlying this compelling discussion are issues surrounding the development and expression of juvenile and adult sexuality. While maintaining that the corset was the perfect vehicle through which to police femininity, the author unpacks the myriad ways in which women consciously resisted its restrictions and reveals the hidden, macabre romance of this potent Victorian symbol.

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