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Bracebridge Hall ; Tales of a traveller ; The Alhambra

Verfasser/in: Washington Irving
Verlag: New York, N.Y. : Library of America : Distributed to the trade in the U.S. and Canada by Viking Press, [1991]
Serien: The Library of America, 52.
Ausgabe/Format   Print book : Belletristik : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
This second Library of America volume of Washington Irving brings together for the first time three collections of his stories and sketches. Bracebridge Hall (1822) was published under the pseudonym Geoffrey Crayon, and centers on an English manor, its inhabitants, and the tales they tell. Interspersed with witty, evocative sketches of country life among the English nobility is the well-known tale "The Stout  Weiterlesen…
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Gattung/Form: Fiction
Physisches Format Online version:
Irving, Washington, 1783-1859.
Bracebridge Hall ; Tales of a traveller ; The Alhambra.
New York, N.Y. : Library of America : Distributed to the trade in the U.S. and Canada by Viking Press, [1991]
(OCoLC)643791152
Medientyp: Belletristik
Dokumenttyp: Buch
Alle Autoren: Washington Irving
ISBN: 0940450593 9780940450592
OCLC-Nummer: 22207793
Beschreibung: 1104 p. ; 21 cm.
Inhalt: Bracebridge Hall --
Tales of a traveller --
The Alhambra.
Serientitel: The Library of America, 52.
Andere Titel Bracebridge Hall.
Tales of a traveller.
Alhambra.
Works.
Verfasserangabe: Washington Irving.

Abstract:

This second Library of America volume of Washington Irving brings together for the first time three collections of his stories and sketches. Bracebridge Hall (1822) was published under the pseudonym Geoffrey Crayon, and centers on an English manor, its inhabitants, and the tales they tell. Interspersed with witty, evocative sketches of country life among the English nobility is the well-known tale "The Stout Gentleman" and stories based on English, French, and Spanish folklore, vividly recounted with Irving's inimitable blend of elegance and colloquial dash. Tales of a Traveller (1824), written after a year-long stay in Germany, is a pivotal work in Irving's career, marking his last experiment with fiction before he turned to the writing of history, biography, and adaptation of folktales. The Alhambra (1832) was inspired by Irving's stay during the spring and summer of 1829 at the ancient Moorish palace in Granada, which he called "one of the most remarkable, romantic, and delicious spots in the world."

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