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Brahms and Bruckner as artistic antipodes : studies in musical semantics

Author: Constantin Floros; Ernest Bernhardt-Kabisch
Publisher: New York : PL Academic Research, 2015.
Series: Frau Minne und die Liebenden.
Edition/Format:   eBook : Document : English : 1st editionView all editions and formats
Database:WorldCat
Summary:

Elucidates Brahms' relation to Bruckner in its biographic, historical, artistic and art-theoretical aspects. This book questions whether Brahms was indeed an autonomously working composer.

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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Floros, Constantin, author.
Brahms and Bruckner as artistic antipodes.
(DLC) 2014046738
(OCoLC)897946436
Named Person: Johannes Brahms; Anton Bruckner; Johannes Brahms; Anton Bruckner
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Constantin Floros; Ernest Bernhardt-Kabisch
ISBN: 9783653053906 3653053900
OCLC Number: 913956946
Notes: Originally published: Brahms und Bruckner : Studien zur musikalischen Exegetik / Constantin Floros. Wiesbaden : Breitkopf & Härtel, 1980.
Description: 1 online resource
Contents: Cover; Table of Contents; Foreword; Part One: Brahms and Bruckner: A Radical Historical, Art-Theoretical and Artistic Contrast; I."Aspects and Issues; II."Art and Personality; III."The Conflict; IV."Art-Theoretical Controversies; 1."""Zukunftsmusik"" vs. Absolute Music; 2."Heteronomic vs. Autonomic Aesthetics; 3."Apologetics of Invention vs. Apotheosis of Execution; 4."Progressivism vs. Traditionalism ; V."On Historical Classification; VI."Parallelisms and Antitheses ; VII."The Relation to Historicism; VIII.""Heirs" of Beethoven; 1."A Common Model: Beethoven's Ninth Symphony 2."About the Middle Movements of Brahms' and Bruckner's SymphoniesIX."Parallelisms and Antitheses Once More; X."Richard Wagner ; Part Two: The Unknown Brahms; XI."Brahms: An Autonomous Composer?; XII.""Young Kreisler"; 1."Documentation; 2."Brahms' Identification with E. T. A. Hoffmann's Chrysostomus-Kreisler; XIII."Schumann's Essay "Neue Bahnen": A New Interpretation; 1."Genetic Documents ; 2.""Johannes as the True Apostle": the Essay as a Messianic Prophecy; 3."The Essay as Lehrbrief for the "Young Kreisler" 4.""A Secret Alliance of Kindred Spirits": The Essay as Musico-Political ManifestXIV."Schumann and Brahms: Brahms' Schumann Variations (op. 9) and Schumann's ""Davidsbündlertänze""; 1."Biographic Backgrounds: "The Portentous Days: Clara, Aurora, Eusebius"; 2."Schumann as a Technical Model; 3."Schumann as a Spiritual Model: Brahms-Kreisler and Eusebius-Florestan. The Relation between the Variations and the Davidsbündlertänze ; XV."The Piano Variations Op. 23: A Monument to Robert Schumann XVI.""Benedictus qui venit in nomine Domini": On the "Mass quotation" in the Adagio of the ""Piano Concerto op. 15""XVII."A Special Kind of Father-Son Relationship; Part Three: The Unknown Bruckner; XVIII."Bruckner --
"the most Absolute of Absolute Musicians"?; XIX."Bruckner and the Program Symphony; 1."Relations to Liszt ; 2."Relations to Berlioz ; XX."On Bruckner Exegesis: The "Tone Symbol of the Cross" (Liszt); XXI."The Program of the "Romantic" Symphony; 1."Bruckner's Explanations, Especially in the Letter to Paul Heyse 2."Bruckner's Conception of the "Romantic." Affinity with ""Lohengrin"" 3."The Program Particulars and the Music; 4."Conclusion; XXII."The Program of the Eighth Symphony: Musical Semantics and Historical Contexts; 1."The Letter to Weingartner (1891) and Stradal's Account (1886); 2."The Program of the First Movement and the Dutchman's Aria ; 3."The "German Michel" (Scherzo); 4."The Adagio and Joseph Schalk's Commentary (1892) ; 5."Finale; Afterword; Notes ; Selective Bibliography; 1."General; 2. Literature about Brahms; 3."Literature about Bruckner ; 4. Literature about Brahms and Bruckner
Series Title: Frau Minne und die Liebenden.
Other Titles: Brahms und Bruckner.
Responsibility: Constantin Floros ; translated by Ernest Bernhardt-Kabisch.
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"The second and third part of the study achieve new insights. With a consistent analysis of biographic data and, simultaneously, a careful scrutiny of musical facts (increased experience in assessing Read more...

 
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