omitir hasta el contenido
The breaking of style : Hopkins, Heaney, Graham Ver este material de antemano
CerrarVer este material de antemano
Chequeando…

The breaking of style : Hopkins, Heaney, Graham

Autor: Helen Vendler
Editorial: Cambridge, Mass. : Harvard University Press, 1995.
Edición/Formato:   Libro : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to perform an act of violence on the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening fresh perspectives on the work of three very different poets,  Leer más
Calificación:

(todavía no calificado) 0 con reseñas - Ser el primero.

Temas
Más materiales como éste

 

Encontrar un ejemplar en la biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que tienen este material…

Detalles

Formato físico adicional: Online version:
Vendler, Helen, 1933-
Breaking of style.
Cambridge, Mass. : Harvard University Press, 1995
(OCoLC)604773144
Persona designada: Gerard Manley Hopkins; Seamus Heaney; Jorie Graham; Gerard Manley Hopkins; Seamus Heaney; Jorie Graham; Gerard Manley Hopkins; Seamus Heaney; Jorie Graham
Tipo de documento: Libro/Texto
Todos autores / colaboradores: Helen Vendler
ISBN: 067408120X 9780674081208 0674081218 9780674081215
Número OCLC: 32550302
Notas: "The Richard Ellmann lectures in modern literature"
Descripción: x, 100 p. ; 22 cm.
Contenido: Gerard Manley Hopkins and Sprung Rhythm --
Seamus Heaney: The Grammatical Moment --
Jorie Graham: The Moment of Excess
Responsabilidad: Helen Vendler.

Resumen:

Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to perform an act of violence on the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening fresh perspectives on the work of three very different poets, her masterful study of changes in style yields a new view of the interplay of moral, emotional, and intellectual forces in a poet's work. Gerard Manley Hopkins' invention of sprung rhythm marks a dramatic break with his early style. Rhythm, Vendler shows us, is at the heart of Hopkins' aesthetic, and sprung rhythm is his symbol for danger, difference, and the shock of the beautiful. In Seamus Heaney's work, she identifies clear shifts in grammatical "atmosphere" from one poem to the next - from "nounness" to the "betweenness" of an adverbial style - shifts whose moral and political implications come under scrutiny here. And finally Vendler looks at Jorie Graham's departure from short lines to numbered lines to squared long lines of sentences, marking a move from deliberation to cinematic "freeze-framing" to coverage, each with its own meaning in this poet's career.

Reseñas

Reseñas contribuidas por usuarios
Recuperando reseñas de GoodReads…
Recuperando reseñas de DOGObooks…

Etiquetas

Ser el primero.
Confirmar este pedido

Ya ha pedido este material. Escoja OK si desea procesar el pedido de todos modos.

Datos enlazados


<http://www.worldcat.org/oclc/32550302>
library:oclcnum"32550302"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/32550302>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://viaf.org/viaf/109557338>
rdf:typeschema:Person
schema:birthDate"1844"
schema:deathDate"1889"
schema:familyName"Hopkins"
schema:givenName"Gerard Manley"
schema:name"Hopkins, Gerard Manley"
schema:name"Hopkins, Gerard Manley, 1844-1889"
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"1995"
schema:description"Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to perform an act of violence on the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening fresh perspectives on the work of three very different poets, her masterful study of changes in style yields a new view of the interplay of moral, emotional, and intellectual forces in a poet's work. Gerard Manley Hopkins' invention of sprung rhythm marks a dramatic break with his early style. Rhythm, Vendler shows us, is at the heart of Hopkins' aesthetic, and sprung rhythm is his symbol for danger, difference, and the shock of the beautiful. In Seamus Heaney's work, she identifies clear shifts in grammatical "atmosphere" from one poem to the next - from "nounness" to the "betweenness" of an adverbial style - shifts whose moral and political implications come under scrutiny here. And finally Vendler looks at Jorie Graham's departure from short lines to numbered lines to squared long lines of sentences, marking a move from deliberation to cinematic "freeze-framing" to coverage, each with its own meaning in this poet's career."@en
schema:description"Gerard Manley Hopkins and Sprung Rhythm -- Seamus Heaney: The Grammatical Moment -- Jorie Graham: The Moment of Excess"@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/196816382>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"The breaking of style : Hopkins, Heaney, Graham"@en
schema:numberOfPages"100"
schema:publisher
schema:url
schema:workExample
schema:workExample

Content-negotiable representations

Cerrar ventana

Inicie una sesión con WorldCat 

¿No tienes una cuenta? Puede fácilmente crear una cuenta gratuita.