コンテンツへ移動
Brecht and company : sex, politics, and the making of the modern drama 資料のプレビュー
閉じる資料のプレビュー
確認中…

Brecht and company : sex, politics, and the making of the modern drama

著者: John Fuegi
出版: New York : Grove Press, ©1994.
エディション/フォーマット:   書籍 : Biography : English : 1st edすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"The result of twenty-five years of research on three continents, Brecht and Company is a revolutionary portrait of one of the world's greatest theater artists - and the people upon whom he built his reputation. Bertolt Brecht is regarded by many as the most influential figure in twentieth-century theater; the director Peter Brook has argued that "all theater work today at some point starts with or returns to his
評価:

(まだ評価がありません) 0 件のレビュー - 是非あなたから!

件名:
関連情報:

 

オンラインで入手

この資料へのリンク

オフラインで入手

&AllPage.SpinnerRetrieving; この資料の所蔵館を検索中…

詳細

ジャンル/形式: Biography
Biographie
Biographies
関連の人物: Bertolt Brecht; Bertolt Brecht; Bertolt Brecht; Bertolt Brecht; Brecht; Brecht; Bertolt Brecht; Bertolt Brecht
資料の種類: Biography, インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: John Fuegi
ISBN: 0802115292 9780802115294
OCLC No.: 28291608
物理形態: xx, 732 p., [32] p. of plates : ill. ; 24 cm.
責任者: John Fuegi.
その他の情報:

概要:

The result of 25 years of research on three continents, here is a revolutionary portrait of Bertolt Brecht, one of the world's greatest theater artists--and the people upon whom he built his  続きを読む

レビュー

ユーザーレビュー
GoodReadsのレビューを取得中…
DOGObooksのレビューを取得中…

タグ

まずはあなたから!
リクエストの確認

あなたは既にこの資料をリクエストしている可能性があります。このリクエストを続行してよろしければ、OK を選択してください。

リンクデータ


<http://www.worldcat.org/oclc/28291608>
library:oclcnum"28291608"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/28291608>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:bookEdition"1st ed."
schema:copyrightYear"1994"
schema:creator
schema:datePublished"1994"
schema:exampleOfWork<http://worldcat.org/entity/work/id/38472807>
schema:genre"Biography."@en
schema:genre"Biography"@en
schema:inLanguage"en"
schema:name"Brecht and company : sex, politics, and the making of the modern drama"@en
schema:numberOfPages"732"
schema:publisher
schema:reviews
rdf:typeschema:Review
schema:itemReviewed<http://www.worldcat.org/oclc/28291608>
schema:reviewBody""The result of twenty-five years of research on three continents, Brecht and Company is a revolutionary portrait of one of the world's greatest theater artists - and the people upon whom he built his reputation. Bertolt Brecht is regarded by many as the most influential figure in twentieth-century theater; the director Peter Brook has argued that "all theater work today at some point starts with or returns to his achievement." In this first full biography of the Brecht circle, John Fuegi confirms Brecht's rank as a world-class theater director, but also shows why much of the writing can no longer be attributed to Brecht alone." "Brecht's first violent, homoerotic plays, though noisily provocative failures at the box office, brought him praise from adventurous critics. In Berlin in the 1920s, Brecht found someone who would change not only his life but world theater: Elisabeth Hauptmann, who wrote over 80 percent of The Threepenny Opera in exchange for time in Brecht's life and in his bed. Yet her name often disappeared from the printed text, as well as from other plays and poems. Disappointed and disaffected, Hauptmann was supplanted by the passionate, tubercular Margarete Steffin, who contributed crucially to such classics as Mother Courage and The Good Woman of Setzuan. With Steffin's death in 1941, Brecht's career as a playwright virtually ended, though other works, begun with her, were finished with the aid of the uninhibited and politically committed Danish director and author Ruth Berlau." "Fuegi traces the evolution of Brecht's parasitic relationships and aggressive ambition through close analysis of diaries, letters, and drafts of the literary works, revealing a man who was personally dazzling, a genius at assembling and directing the plays created in his workshop, but ultimately lacking in literary stamina, for which he depended on his lovers. His need for control and fame led him to dominate - and betraynearly everyone who supported and loved him."."
schema:url
schema:workExample

Content-negotiable representations

ウインドウを閉じる

WorldCatにログインしてください 

アカウントをお持ちではないですか?簡単に 無料アカウントを作成することができます。.