컨텐츠로 이동
Brecht and company : sex, politics, and the making of the modern drama 해당 항목을 미리보기
닫기해당 항목을 미리보기
확인중입니다…

Brecht and company : sex, politics, and the making of the modern drama

저자: John Fuegi
출판사: New York : Grove Press, ©1994.
판/형식:   도서 : 전기 : 영어 : 1st ed모든 판과 형식 보기
데이터베이스:WorldCat
요약:
"The result of twenty-five years of research on three continents, Brecht and Company is a revolutionary portrait of one of the world's greatest theater artists - and the people upon whom he built his reputation. Bertolt Brecht is regarded by many as the most influential figure in twentieth-century theater; the director Peter Brook has argued that "all theater work today at some point starts with or returns to his
평가:

(아무런 평가가 없습니다.) 0 리뷰와 함께 - 첫번째로 올려주세요.

주제
다음과 같습니다:

 

온라인으로 문서 찾기

이 항목에 대한 링크

도서관에서 사본 찾기

&AllPage.SpinnerRetrieving; 해당항목을 보유하고 있는 도서관을 찾는 중

상세정보

장르/형태: Biography
Biographie
Biographies
명시된 사람: Bertolt Brecht; Bertolt Brecht; Brecht; Brecht; Bertolt Brecht; Bertolt Brecht; Bertolt Brecht; Bertolt Brecht
자료 유형: 전기, 인터넷 자료
문서 형식: 책, 인터넷 자원
모든 저자 / 참여자: John Fuegi
ISBN: 0802115292 9780802115294
OCLC 번호: 28291608
설명: xx, 732 pages, [32] pages of plates : illustrations ; 24 cm
책임: John Fuegi.

초록:

The result of 25 years of research on three continents, here is a revolutionary portrait of Bertolt Brecht, one of the world's greatest theater artists--and the people upon whom he built his  더 읽기…

리뷰

사용자-기여 리뷰
GoodReads 리뷰 가져오는 중…
DOGObooks 리뷰를 가지고 오는 중…

태그

첫번째 되기
요청하신 것을 확인하기

이 항목을 이미 요청하셨을 수도 있습니다. 만약 이 요청을 계속해서 진행하시려면 Ok을 선택하세요.

링크된 데이터


<http://www.worldcat.org/oclc/28291608>
library:oclcnum"28291608"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:MediaObject
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://viaf.org/viaf/2467372>
rdf:typeschema:Person
schema:birthDate"1898"
schema:deathDate"1956"
schema:familyName"Brecht"
schema:givenName"Bertolt"
schema:name"Brecht, Bertolt."
schema:name"Brecht Bertolt"
schema:name"Brecht, Bertolt, 1898-1956"
schema:name"Brecht, Bertolt, 1898-1956."
schema:about
schema:about
schema:about
schema:about
schema:about
schema:bookEdition"1st ed."
schema:copyrightYear"1994"
schema:creator
schema:datePublished"1994"
schema:description""The story of Brecht's artistic thefts is told against a backdrop of his equivocal politics through the turbulent times: from the 1932 New Year's party with members of Germany's virulent right wing, to his refusal to acknowledge Stalin's murderous purges, to his shocking break before the House Un-American Activities Committee, to his frequent anti-Semitism, to the privilege and ease he enjoyed in a repressive East Germany." "Brecht and Company will irrevocably change our understanding of one of the world's great writer-directors, even as it presents us with three new artists of enduring stature: Elisabeth Hauptmann, Margarete Steffin, and Ruth Berlau."--Jacket."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/38472807>
schema:genre"Biography"@en
schema:inLanguage"en"
schema:name"Brecht and company : sex, politics, and the making of the modern drama"@en
schema:publication
schema:publisher
schema:reviews
rdf:typeschema:Review
schema:itemReviewed<http://www.worldcat.org/oclc/28291608>
schema:reviewBody""The result of twenty-five years of research on three continents, Brecht and Company is a revolutionary portrait of one of the world's greatest theater artists - and the people upon whom he built his reputation. Bertolt Brecht is regarded by many as the most influential figure in twentieth-century theater; the director Peter Brook has argued that "all theater work today at some point starts with or returns to his achievement." In this first full biography of the Brecht circle, John Fuegi confirms Brecht's rank as a world-class theater director, but also shows why much of the writing can no longer be attributed to Brecht alone." "Brecht's first violent, homoerotic plays, though noisily provocative failures at the box office, brought him praise from adventurous critics. In Berlin in the 1920s, Brecht found someone who would change not only his life but world theater: Elisabeth Hauptmann, who wrote over 80 percent of The Threepenny Opera in exchange for time in Brecht's life and in his bed. Yet her name often disappeared from the printed text, as well as from other plays and poems. Disappointed and disaffected, Hauptmann was supplanted by the passionate, tubercular Margarete Steffin, who contributed crucially to such classics as Mother Courage and The Good Woman of Setzuan. With Steffin's death in 1941, Brecht's career as a playwright virtually ended, though other works, begun with her, were finished with the aid of the uninhibited and politically committed Danish director and author Ruth Berlau." "Fuegi traces the evolution of Brecht's parasitic relationships and aggressive ambition through close analysis of diaries, letters, and drafts of the literary works, revealing a man who was personally dazzling, a genius at assembling and directing the plays created in his workshop, but ultimately lacking in literary stamina, for which he depended on his lovers. His need for control and fame led him to dominate - and betraynearly everyone who supported and loved him.""
schema:workExample
wdrs:describedby

Content-negotiable representations

윈도우 닫기

WorldCat에 로그인 하십시오 

계정이 없으세요? 아주 간단한 절차를 통하여 무료 계정을 만드실 수 있습니다.