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Brecht and company : sex, politics, and the making of the modern drama

作者: John Fuegi
出版商: New York : Grove Press, ©1994.
版本/格式:   圖書 : 傳記 : 英語 : 1st ed所有版本和格式的總覽
資料庫:WorldCat
提要:
"The result of twenty-five years of research on three continents, Brecht and Company is a revolutionary portrait of one of the world's greatest theater artists - and the people upon whom he built his reputation. Bertolt Brecht is regarded by many as the most influential figure in twentieth-century theater; the director Peter Brook has argued that "all theater work today at some point starts with or returns to his
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詳細書目

類型/形式: Biography
Biographie
Biographies
提及的人: Bertolt Brecht; Bertolt Brecht; Brecht; Brecht; Bertolt Brecht; Bertolt Brecht; Bertolt Brecht; Bertolt Brecht
資料類型: 傳記, 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: John Fuegi
ISBN: 0802115292 9780802115294
OCLC系統控制編碼: 28291608
描述: xx, 732 pages, [32] pages of plates : illustrations ; 24 cm
責任: John Fuegi.

摘要:

The result of 25 years of research on three continents, here is a revolutionary portrait of Bertolt Brecht, one of the world's greatest theater artists--and the people upon whom he built his  再讀一些...

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schema:description""The story of Brecht's artistic thefts is told against a backdrop of his equivocal politics through the turbulent times: from the 1932 New Year's party with members of Germany's virulent right wing, to his refusal to acknowledge Stalin's murderous purges, to his shocking break before the House Un-American Activities Committee, to his frequent anti-Semitism, to the privilege and ease he enjoyed in a repressive East Germany." "Brecht and Company will irrevocably change our understanding of one of the world's great writer-directors, even as it presents us with three new artists of enduring stature: Elisabeth Hauptmann, Margarete Steffin, and Ruth Berlau."--Jacket."@en
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schema:reviewBody""The result of twenty-five years of research on three continents, Brecht and Company is a revolutionary portrait of one of the world's greatest theater artists - and the people upon whom he built his reputation. Bertolt Brecht is regarded by many as the most influential figure in twentieth-century theater; the director Peter Brook has argued that "all theater work today at some point starts with or returns to his achievement." In this first full biography of the Brecht circle, John Fuegi confirms Brecht's rank as a world-class theater director, but also shows why much of the writing can no longer be attributed to Brecht alone." "Brecht's first violent, homoerotic plays, though noisily provocative failures at the box office, brought him praise from adventurous critics. In Berlin in the 1920s, Brecht found someone who would change not only his life but world theater: Elisabeth Hauptmann, who wrote over 80 percent of The Threepenny Opera in exchange for time in Brecht's life and in his bed. Yet her name often disappeared from the printed text, as well as from other plays and poems. Disappointed and disaffected, Hauptmann was supplanted by the passionate, tubercular Margarete Steffin, who contributed crucially to such classics as Mother Courage and The Good Woman of Setzuan. With Steffin's death in 1941, Brecht's career as a playwright virtually ended, though other works, begun with her, were finished with the aid of the uninhibited and politically committed Danish director and author Ruth Berlau." "Fuegi traces the evolution of Brecht's parasitic relationships and aggressive ambition through close analysis of diaries, letters, and drafts of the literary works, revealing a man who was personally dazzling, a genius at assembling and directing the plays created in his workshop, but ultimately lacking in literary stamina, for which he depended on his lovers. His need for control and fame led him to dominate - and betraynearly everyone who supported and loved him.""
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