doorgaan naar inhoud
Brecht on theatre; the development of an aesthetic. Voorbeeldweergave van dit item
SluitenVoorbeeldweergave van dit item
Bezig met controle...

Brecht on theatre; the development of an aesthetic.

Auteur: Bertolt Brecht; John Willett
Uitgever: New York, Hill and Wang [1964]
Editie/Formaat:   Boek : Engels : [1st ed.]Alle edities en materiaalsoorten bekijken.
Database:WorldCat
Beoordeling:

(nog niet beoordeeld) 0 met beoordelingen - U bent de eerste

Onderwerpen
Meer in deze trant

 

Zoeken naar een in de bibliotheek beschikbaar exemplaar

&AllPage.SpinnerRetrieving; Bibliotheken met dit item worden gezocht…

Details

Aanvullende fysieke materiaalsoort: Online version:
Brecht, Bertolt, 1898-1956.
Brecht on theatre.
New York : Hill and Wang, 1964
(OCoLC)586710038
Soort document: Boek
Alle auteurs / medewerkers: Bertolt Brecht; John Willett
ISBN: 9780809005420 0809005425
OCLC-nummer: 191557
Beschrijving: 294 pages illustrations, portraits 21 cm
Inhoud: Part One 1918-1932, Frank Wedekind --
A reckoning --
Emphasis on sport --
Three cheers for Shaw --Conversation with Bert Brecht --
A radio speech --
Shouldn't we abolish aesthetics? --
The epic theatre and its difficulties --
Last state: Oedipus --
A dialogue about acting --
On form and subject-matter --
An example of Paedagogics --
The modern theatre is the epic theatre --
The literarization of the theatre --
The film, the novel and epic theatre --
The radio as an apparatus of communication --
The question of criteria for judging acting --
Indirect impact of the epic theatre --
Part Two 1933-1947, Interview with an exile --
Theatre for pleasure or theatre for instruction --
The German drama: pre Hitler --
Criticism of the New York production of Die Mutter --
On the use of music in an epic theatre --
Alienation effects in Chinese acting --
Notes to Die Rundkopfe und die Spitzkopfe --
On gestic music --
The popular and the realistic --
On rhymeless verse with irregular rhythms --
The street scene --
On experimental theatre --
New technique of acting --
Two essays on unprofessional acting --
Notes on the folk play --
Alienation effects in the narrative pictures of the Elder Brueghel --
A little private tuition for my friend Max Gorelik --
Building up a part: Laughton's Galileo --
'Der Messingkauf': an editorial note --
Part Three 1947-1948, A short organum for the theatre --
Part Four 1948-1956, Masterful treatment of a model --
From a Mother Courage model --
Does use of the model restrict the artist's freedom? --
Formal problems arising from the theatre's new content --
Stage design for the epic theatre --
From a letter to an actor --
Some of the things that can be learnt fro Stanislavsky --
Theaterarbeit: an editorial note --
Notes on Erwin Strittmatter's play Katzgraben --
Study of sthe first scene of Shakespear's Coriolanus --
Cultural policy and academy of arts --
Conversation about being forced in empathy --
Classical status as an inhibiting factor. Can the present-day world be reproduced by means of theatre? --
Appendices to the 'Short Organum' --
'Dialectics in the theatre': an editorial note --
Our London season.
Andere titels: On theatre.
Verantwoordelijkheid: Edited and translated by John Willett.

Beoordelingen

Beoordelingen door gebruikers
Beoordelingen van GoodReads worden opgehaald...
Bezig met opvragen DOGObooks-reviews...

Tags

U bent de eerste.

Vergelijkbare items

Verwante onderwerpen:(5)

Gebruiker-lijsten met dit item (5)

Bevestig deze aanvraag

Misschien heeft u dit item reeds aangevraagd. Selecteer a.u.b. Ok als u toch wilt doorgaan met deze aanvraag.

Gekoppelde data


<http://www.worldcat.org/oclc/191557>
library:oclcnum"191557"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/191557>
rdf:typeschema:Book
rdfs:seeAlso
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:bookEdition"[1st ed.]."
schema:contributor
schema:creator
schema:datePublished"1964"
schema:description"Can the present-day world be reproduced by means of theatre? -- Appendices to the 'Short Organum' -- 'Dialectics in the theatre': an editorial note -- Our London season."@en
schema:description"Part One 1918-1932, Frank Wedekind -- A reckoning -- Emphasis on sport -- Three cheers for Shaw --Conversation with Bert Brecht -- A radio speech -- Shouldn't we abolish aesthetics? -- The epic theatre and its difficulties -- Last state: Oedipus -- A dialogue about acting -- On form and subject-matter -- An example of Paedagogics -- The modern theatre is the epic theatre -- The literarization of the theatre -- The film, the novel and epic theatre -- The radio as an apparatus of communication -- The question of criteria for judging acting -- Indirect impact of the epic theatre -- Part Two 1933-1947, Interview with an exile -- Theatre for pleasure or theatre for instruction -- The German drama: pre Hitler -- Criticism of the New York production of Die Mutter -- On the use of music in an epic theatre -- Alienation effects in Chinese acting -- Notes to Die Rundkopfe und die Spitzkopfe -- On gestic music -- The popular and the realistic -- On rhymeless verse with irregular rhythms -- The street scene -- On experimental theatre -- New technique of acting -- Two essays on unprofessional acting -- Notes on the folk play -- Alienation effects in the narrative pictures of the Elder Brueghel -- A little private tuition for my friend Max Gorelik -- Building up a part: Laughton's Galileo -- 'Der Messingkauf': an editorial note -- Part Three 1947-1948, A short organum for the theatre -- Part Four 1948-1956, Masterful treatment of a model -- From a Mother Courage model -- Does use of the model restrict the artist's freedom? -- Formal problems arising from the theatre's new content -- Stage design for the epic theatre -- From a letter to an actor -- Some of the things that can be learnt fro Stanislavsky -- Theaterarbeit: an editorial note -- Notes on Erwin Strittmatter's play Katzgraben -- Study of sthe first scene of Shakespear's Coriolanus -- Cultural policy and academy of arts -- Conversation about being forced in empathy -- Classical status as an inhibiting factor."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/500243631>
schema:inLanguage"en"
schema:name"Brecht on theatre; the development of an aesthetic."@en
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Venster sluiten

Meld u aan bij WorldCat 

Heeft u geen account? U kunt eenvoudig een nieuwe gratis account aanmaken.