Catherine Flood; Victoria and Albert Museum,
|描述：||128 pages : illustrations (chiefly color) ; 28 cm|
|内容：||Foreword / Margaret Timmers --
1. Moving through the mainstream. Post-war reconstruction --
Commercial art, graphic design and the 'creative revolution' --
The continuing power of the poster --
2. Alternative directions. Pop, psychedelia and the poster boom --
Protest poster-making --
Posters and popular music --
3. Into a digital age. Renaissance in outdoor advertising --
Bill posters will be prosecuted (Bill Posters is innocent) --
The art gallery of the streets --
'People do love huge pieces of paper' --
Speaking truth to power.
"Drawing on the V & A's wide-ranging poster collection, this book maps how the poster has evolved in Britain since 1945 in the hands of graphic designers and fine artists, advertising agencies and counter-cultural groups. The range spans 'Keep Britain Tidy' campaigns, lavishly produced Benson & Hedges billboards, punk rock posters, hand-printed indictments of politicians and public art projects on the Underground. Defying regular predictions of its demise, the poster in Britain has adapted itself within a changing technological environment. It has absorbed new directions in art and design and has met unfolding social and commercial challenges."--Page 2 of cover.