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British satire and the politics of style, 1789-1832

著者: Gary Dyer
出版: Cambridge ; New York : Cambridge University Press, 1997.
シリーズ: Cambridge studies in Romanticism, 23.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter  続きを読む
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ジャンル/形式: Criticism, interpretation, etc
History
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Gary Dyer
ISBN: 0521563577 9780521563574
OCLC No.: 35657819
物理形態: xii, 263 pages ; 24 cm.
コンテンツ: 1. The scope of satire, 1789-1832 --
2. The modes of satire and the politics of style --
3. The meaning of Radical verse satire --
4. Peacock, Disraeli, and the satirical prose narrative --
5. Satire displaced, satire domesticated --
A select bibliography of British satirical verse, 1789-1832.
シリーズタイトル: Cambridge studies in Romanticism, 23.
責任者: Gary Dyer.
その他の情報:

概要:

This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter Pindar") and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramifications for women writers of satire's "masculine" connotations. The book includes a bibliography of more than 700 volumes containing satirical verse.

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