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Britten's musical language

Autor: Philip Ernst Rupprecht
Editorial: Cambridge ; New York : Cambridge University Press, 2001.
Serie: Music in the twentieth century, 17.
Edición/Formato:   Print book : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"Blending insights from linguistic and social theories of speech, ritual, and narrative with music-analytic and historical criticism, Britten's Musical Language offers fresh perspectives on the composer's fusion of verbal and musical utterance in opera and song. It provides close interpretive studies of the major scores (including Peter Grimes, Billy Budd, The Turn of the Screw, War Requiem, Curlew River and Death
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Detalles

Género/Forma: Criticism, interpretation, etc
Persona designada: Benjamin Britten; Benjamin Britten; Benjamin Britten; Benjamin Britten; Britten, Benjamin <1913-1976> - Critique et interprétation.; Benjamin Britten
Tipo de material: Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Philip Ernst Rupprecht
ISBN: 0521631548 9780521631549
Número OCLC: 46918279
Descripción: ix, 358 pages : illustrations ; 26 cm.
Contenido: 1. Introduction: Britten's musical language --
2. Peter Grimes: the force of operatic utterance --
3. Motive and narrative in Billy Budd --
4. The Turn of the Screw: innocent performance --
5. Rituals: the War Requiem and Curlew River --
6. Subjectivity and perception in Death in Venice.
Título de la serie: Music in the twentieth century, 17.
Responsabilidad: Philip Rupprecht.
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Resumen:

Examines Britten's fusion of verbal and musical sound in opera and song.  Leer más

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'Once one has opened the tough shell of the author's language there are pearls within.' International Record Review 'An important contribution to Britten scholarship.' Musical Times '... clearly Leer más

 
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