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Britten's musical language

Autore: Philip Ernst Rupprecht
Editore: Cambridge ; New York : Cambridge University Press, 2001.
Serie: Music in the twentieth century, 17.
Edizione/Formato:   Libro a stampa : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"Blending insights from linguistic and social theories of speech, ritual, and narrative with music-analytic and historical criticism, Britten's Musical Language offers fresh perspectives on the composer's fusion of verbal and musical utterance in opera and song. It provides close interpretive studies of the major scores (including Peter Grimes, Billy Budd, The Turn of the Screw, War Requiem, Curlew River and Death
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Dettagli

Genere/forma: Criticism, interpretation, etc
Persona incaricata: Benjamin Britten; Benjamin Britten; Benjamin Britten; Benjamin Britten; Britten, Benjamin <1913-1976> - Critique et interprétation.; Benjamin Britten
Tipo materiale: Risorsa internet
Tipo documento {1} {2}, {1} {2}
Tutti gli autori / Collaboratori: Philip Ernst Rupprecht
{0} 0521631548 9780521631549
Numero OCLC: 46918279
Descrizione: ix, 358 pages : illustrations ; 26 cm.
Contenuti: 1. Introduction: Britten's musical language --
2. Peter Grimes: the force of operatic utterance --
3. Motive and narrative in Billy Budd --
4. The Turn of the Screw: innocent performance --
5. Rituals: the War Requiem and Curlew River --
6. Subjectivity and perception in Death in Venice.
Titolo della serie: Music in the twentieth century, 17.
Responsabilità: Philip Rupprecht.
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Abstract:

Examines Britten's fusion of verbal and musical sound in opera and song.  Per saperne di più…

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'Once one has opened the tough shell of the author's language there are pearls within.' International Record Review 'An important contribution to Britten scholarship.' Musical Times '... clearly Per saperne di più…

 
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