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Britten's musical language

著者: Philip Ernst Rupprecht
出版商: Cambridge ; New York : Cambridge University Press, 2001.
丛书: Music in the twentieth century, 17.
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"Blending insights from linguistic and social theories of speech, ritual, and narrative with music-analytic and historical criticism, Britten's Musical Language offers fresh perspectives on the composer's fusion of verbal and musical utterance in opera and song. It provides close interpretive studies of the major scores (including Peter Grimes, Billy Budd, The Turn of the Screw, War Requiem, Curlew River and Death
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类型/形式: Criticism, interpretation, etc
提及的人: Benjamin Britten; Benjamin Britten; Benjamin Britten; Benjamin Britten
材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Philip Ernst Rupprecht
ISBN: 0521631548 9780521631549
OCLC号码: 46918279
描述: ix, 358 pages : illustrations ; 26 cm.
内容: 1. Introduction: Britten's musical language --
2. Peter Grimes: the force of operatic utterance --
3. Motive and narrative in Billy Budd --
4. The Turn of the Screw: innocent performance --
5. Rituals: the War Requiem and Curlew River --
6. Subjectivity and perception in Death in Venice.
丛书名: Music in the twentieth century, 17.
责任: Philip Rupprecht.
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摘要:

Examines Britten's fusion of verbal and musical sound in opera and song.  再读一些...

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'Once one has opened the tough shell of the author's language there are pearls within.' International Record Review 'An important contribution to Britten scholarship.' Musical Times '... clearly 再读一些...

 
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