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The Business of Television

Author: Ken Basin
Publisher: Milton : Taylor & Francis Group, 2018.
Edition/Format:   eBook : Document : EnglishView all editions and formats
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Basin, Ken
The Business of Television
Milton : Taylor & Francis Group,c2018
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Ken Basin
ISBN: 9781351254175 1351254170
OCLC Number: 1045624417
Notes: Description based upon print version of record.
F. Agency Package Commissions
Description: 1 online resource (321 p.)
Contents: Cover; Title; Copyright; Contents; Disclaimer; How to Use This Book; Preamble; Introduction; 1 A Beginner's Guide to the Television Industry; A. What Is Television?; B. Who Are the Players (and How Do They Interact)?; i. Service Providers (Talent); ii. Studios; iii. Networks; iv. Broadcast Stations; v. MVPDs; vi. Advertisers; vii. Talent Representatives; C. Online Video Distribution; i. Types of Online Video Distribution; ii. The Roles of Digital Content Companies; D. The Power of Tax Incentives; 2 The Life Cycle of a Television Series; A. From Idea to Production I. Packaging and Studio Rights Acquisitionii. Pitching and Set-Up; iii. Script Development; iv. Pilot; v. Upfronts; vi. Staffing and Writing; B. Production; C. Distribution; i. Media; ii. Territory; iii. Time; iv. Ancillary/Merchandising; v. Portfolio Management and Diversification; 3 The Intellectual Property Context of Television (Or, When Do You Need to Acquire Underlying Rights?); A. Copyrights; B. Trademarks; C. Life Rights; i. Defamation and Related Claims; ii. Public Disclosure of Private Facts; iii. Right of Publicity; D. The First Amendment; i. Copyright Claims; ii. Trademark Claims Iii. Life Rights ClaimsE. Practical Considerations; 4 Underlying Rights Agreements; A. Rights Agreements for Books and Articles; i. Option Fees and Terms; ii. Purchase Price; iii. Royalties; iv. Backend; v. Bonuses; vi. Granted Rights; vii. Reserved and Frozen Rights; viii. Consulting Services; ix. Credit; x. Subsequent Productions; xi. Reversion; B. Life Rights Agreements; C. Format Rights Agreements; D. Other Forms of Underlying Rights; E. Quick Reference Guide; 5 Talent Agreements; A. Writing/Writer-Producer Agreements; i. Writing and Spec Acquisition; ii. Producing Fees; iii. Years/Locks Iv. Services and Exclusivityv. Preexisting Commitments; vi. Consulting; vii. Royalties; viii. Bonuses; ix. Backend; x. Credit; xi. Perks; xii. Subsequent Productions; xiii. Quick Reference Guide; B. Staffing Writer Agreements; i. Term/Options; ii. Credit; iii. Fees; iv. Guarantees; v. Episodic Scripts; vi. Exclusivity; vii. Showrunners; viii. Quick Reference Guide; C. Non-Writing Producer Agreements; i. Development Fees; ii. Producing Fees; iii. Locks; iv. Services and Exclusivity; v. Royalties; vi. Bonuses; vii. Consulting; viii. Backend; ix. Credit; x. Perks; xi. Subsequent Productions Xii. Quick Reference GuideD. Pilot Director Agreements; i. Services; ii. Directing Fees; iii. Executive Producing; iv. Royalties; v. Bonuses; vi. Backend; vii. Credit; viii. Perks; ix. Subsequent Productions; x. Quick Reference Guide; E. Actor Agreements; i. Test Options; ii. Pilot Services; iii. Pilot and Series Fees; iv. Series Options; v. Series Guarantees; vi. Credit/Billing; vii. Dressing Room; viii. Photo/Likeness/Biography Approvals; ix. Merchandising Rights; x. Other Approvals/Consultations; xi. Travel/Relocation; xii. Exclusivity; xiii. Publicity/Promotion; xiv. Quick Reference Guide

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