aller au contenu
The Cambridge companion to Chopin Aperçu de cet ouvrage
FermerAperçu de cet ouvrage
Vérifiant…

The Cambridge companion to Chopin

Auteur : Jim Samson
Éditeur : Cambridge [England] ; New York : Cambridge University Press, 1992.
Édition/format :   Livre : Biographie : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
For a century and a half Chopin's music has been played incessantly, yet the spell remains, and the 'Chopin recital', whoever the pianist, still fills the concert halls. This Companion is designed to provide the enquiring music-lover with helpful insights into a musical style that recognises no contradiction between the accessible and the sophisticated, between the popular and the significant. On the uniqueness of
Évaluation :

(pas encore évalué) 0 avec des critiques - Soyez le premier.

Sujets
Plus comme ceci

 

Trouver un exemplaire en ligne

Liens vers cet ouvrage

Trouver un exemplaire dans la bibliothèque

&AllPage.SpinnerRetrieving; Recherche de bibliothèques qui possèdent cet ouvrage...

Détails

Genre/forme : Criticism, interpretation, etc
Personne nommée : Frédéric Chopin; Frédéric Chopin; Frédéric Chopin; Frédéric Chopin; Frédéric Chopin
Type d’ouvrage : Biographie, Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Jim Samson
ISBN : 0521404908 9780521404907 0521477522 9780521477529
Numéro OCLC : 24216123
Description : xi, 341 pages : illustrations ; 26 cm
Contenu : The growth of a style. Piano music and the public concert 1800-1850 / Janet Ritterman --
The nocturne : development of a new style / David Rowland --
The twenty-seven etudes and their antecedents / Simon Finlow --
Tonal architecture in the early music / John Rink --
Profiles of the music. Extended forms : the ballades, scherzos and fantasies / Jim Samson --
Small 'forms' : in defence of the prelude / Jeffrey Kallberg --
Beyond the dance / Adrian Thomas --
The sonatas / Anatole Leikin --
Reception. Chopin in performance / James Methuen-Campbell --
Chopin reception in nineteenth-century Poland / Zofia Chechlińska --
Victorian attitudes to Chopin --
Derek Carew --
Chopin's influence on the fin de siècle and beyond / Roy Howat.
Responsabilité : edited by Jim Samson.
Plus d’informations :

Résumé :

For a century and a half Chopin's music has been played incessantly, yet the spell remains, and the 'Chopin recital', whoever the pianist, still fills the concert halls. This Companion is designed to provide the enquiring music-lover with helpful insights into a musical style that recognises no contradiction between the accessible and the sophisticated, between the popular and the significant. On the uniqueness of that style there has long been agreement. One of the aims.

Of this Companion is to identify some of its sources, referring both to the social history of early nineteenth-century piano music (chapter 1) and to the music of Chopin's predecessors (chapters 2 and 3). The early music and the growth to stylistic maturity are examined in chapter 4. Part 2 of the Companion profiles some of the mature music in a language designed to be intelligible to the interested layman as well as to the musician. There are re-evaluations of Chopin's.

Most 'epic' statements (chapter 5) as well as his most 'epigrammatic' (chapter 6). There is an account of his relation to Polish folk music in the dance pieces (chapter 7) and there is a fresh look at one of the more controversial aspects of his art, his handling of the sonata (chapter 8). Several facets of the afterlife of Chopin's music are examined in part 3. There is reception through performance (chapter 9), reception through criticism (chapters 10 and 11) and.

Reception through compositional influence (chapters 11 and 12). As these later chapters indicate, Chopin's art left its mark both on the Trivialmusik of the later nineteenth century and on the emerging Modernism of the new century.

Critiques

Critiques d’utilisateurs
Récupération des critiques de GoodReads...
Récuperation des critiques DOGObooks…

Tags

Soyez le premier.
Confirmez cette demande

Vous avez peut-être déjà demandé cet ouvrage. Veuillez sélectionner OK si vous voulez poursuivre avec cette demande quand même.

Données liées


<http://www.worldcat.org/oclc/24216123>
library:oclcnum"24216123"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/24216123>
rdf:typeschema:Book
schema:about
schema:about
<http://viaf.org/viaf/71319254>
rdf:typeschema:Person
schema:birthDate"1810"
schema:deathDate"1849"
schema:familyName"Chopin"
schema:givenName"Frédéric"
schema:name"Chopin, Frédéric, 1810-1849."
schema:name"Chopin, Frédéric, 1810-1849"
schema:about
schema:about
schema:about
schema:contributor
schema:datePublished"1992"
schema:description"Reception through compositional influence (chapters 11 and 12). As these later chapters indicate, Chopin's art left its mark both on the Trivialmusik of the later nineteenth century and on the emerging Modernism of the new century."@en
schema:description"For a century and a half Chopin's music has been played incessantly, yet the spell remains, and the 'Chopin recital', whoever the pianist, still fills the concert halls. This Companion is designed to provide the enquiring music-lover with helpful insights into a musical style that recognises no contradiction between the accessible and the sophisticated, between the popular and the significant. On the uniqueness of that style there has long been agreement. One of the aims."@en
schema:description"The growth of a style. Piano music and the public concert 1800-1850 / Janet Ritterman -- The nocturne : development of a new style / David Rowland -- The twenty-seven etudes and their antecedents / Simon Finlow -- Tonal architecture in the early music / John Rink -- Profiles of the music. Extended forms : the ballades, scherzos and fantasies / Jim Samson -- Small 'forms' : in defence of the prelude / Jeffrey Kallberg -- Beyond the dance / Adrian Thomas -- The sonatas / Anatole Leikin -- Reception. Chopin in performance / James Methuen-Campbell -- Chopin reception in nineteenth-century Poland / Zofia Chechlińska -- Victorian attitudes to Chopin -- Derek Carew -- Chopin's influence on the fin de siècle and beyond / Roy Howat."@en
schema:description"Most 'epic' statements (chapter 5) as well as his most 'epigrammatic' (chapter 6). There is an account of his relation to Polish folk music in the dance pieces (chapter 7) and there is a fresh look at one of the more controversial aspects of his art, his handling of the sonata (chapter 8). Several facets of the afterlife of Chopin's music are examined in part 3. There is reception through performance (chapter 9), reception through criticism (chapters 10 and 11) and."@en
schema:description"Of this Companion is to identify some of its sources, referring both to the social history of early nineteenth-century piano music (chapter 1) and to the music of Chopin's predecessors (chapters 2 and 3). The early music and the growth to stylistic maturity are examined in chapter 4. Part 2 of the Companion profiles some of the mature music in a language designed to be intelligible to the interested layman as well as to the musician. There are re-evaluations of Chopin's."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/55490195>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"The Cambridge companion to Chopin"@en
schema:publisher
schema:url
schema:workExample
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GB9250883>
umbel:isLike<http://bnb.data.bl.uk/id/resource/GB92Y0475>

Content-negotiable representations

Fermer la fenêtre

Veuillez vous identifier dans WorldCat 

Vous n’avez pas de compte? Vous pouvez facilement créer un compte gratuit.