passa ai contenuti
The Cambridge companion to Chopin Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

The Cambridge companion to Chopin

Autore: Jim Samson
Editore: Cambridge [England] ; New York : Cambridge University Press, 1992.
Edizione/Formato:   Libro : Biography : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
For a century and a half Chopin's music has been played incessantly, yet the spell remains, and the 'Chopin recital', whoever the pianist, still fills the concert halls. This Companion is designed to provide the enquiring music-lover with helpful insights into a musical style that recognises no contradiction between the accessible and the sophisticated, between the popular and the significant. On the uniqueness of
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia online

Collegamenti a questo documento

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Genere/forma: Criticism, interpretation, etc
Persona incaricata: Frédéric Chopin; Frédéric Chopin; Frédéric Chopin; Frédéric Chopin; Frédéric Chopin
Tipo materiale: Biography, Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Jim Samson
ISBN: 0521404908 9780521404907 0521477522 9780521477529
Numero OCLC: 24216123
Descrizione: xi, 341 pages : illustrations ; 26 cm
Contenuti: The growth of a style. Piano music and the public concert 1800-1850 / Janet Ritterman --
The nocturne : development of a new style / David Rowland --
The twenty-seven etudes and their antecedents / Simon Finlow --
Tonal architecture in the early music / John Rink --
Profiles of the music. Extended forms : the ballades, scherzos and fantasies / Jim Samson --
Small 'forms' : in defence of the prelude / Jeffrey Kallberg --
Beyond the dance / Adrian Thomas --
The sonatas / Anatole Leikin --
Reception. Chopin in performance / James Methuen-Campbell --
Chopin reception in nineteenth-century Poland / Zofia Chechlińska --
Victorian attitudes to Chopin --
Derek Carew --
Chopin's influence on the fin de siècle and beyond / Roy Howat.
Responsabilità: edited by Jim Samson.
Maggiori informazioni:

Abstract:

For a century and a half Chopin's music has been played incessantly, yet the spell remains, and the 'Chopin recital', whoever the pianist, still fills the concert halls. This Companion is designed to provide the enquiring music-lover with helpful insights into a musical style that recognises no contradiction between the accessible and the sophisticated, between the popular and the significant. On the uniqueness of that style there has long been agreement. One of the aims.

Of this Companion is to identify some of its sources, referring both to the social history of early nineteenth-century piano music (chapter 1) and to the music of Chopin's predecessors (chapters 2 and 3). The early music and the growth to stylistic maturity are examined in chapter 4. Part 2 of the Companion profiles some of the mature music in a language designed to be intelligible to the interested layman as well as to the musician. There are re-evaluations of Chopin's.

Most 'epic' statements (chapter 5) as well as his most 'epigrammatic' (chapter 6). There is an account of his relation to Polish folk music in the dance pieces (chapter 7) and there is a fresh look at one of the more controversial aspects of his art, his handling of the sonata (chapter 8). Several facets of the afterlife of Chopin's music are examined in part 3. There is reception through performance (chapter 9), reception through criticism (chapters 10 and 11) and.

Reception through compositional influence (chapters 11 and 12). As these later chapters indicate, Chopin's art left its mark both on the Trivialmusik of the later nineteenth century and on the emerging Modernism of the new century.

Commenti

Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Diventa il primo.
Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/24216123>
library:oclcnum"24216123"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
rdf:typeschema:MediaObject
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:datePublished"1992"
schema:description"Reception through compositional influence (chapters 11 and 12). As these later chapters indicate, Chopin's art left its mark both on the Trivialmusik of the later nineteenth century and on the emerging Modernism of the new century."@en
schema:description"For a century and a half Chopin's music has been played incessantly, yet the spell remains, and the 'Chopin recital', whoever the pianist, still fills the concert halls. This Companion is designed to provide the enquiring music-lover with helpful insights into a musical style that recognises no contradiction between the accessible and the sophisticated, between the popular and the significant. On the uniqueness of that style there has long been agreement. One of the aims."@en
schema:description"The growth of a style. Piano music and the public concert 1800-1850 / Janet Ritterman -- The nocturne : development of a new style / David Rowland -- The twenty-seven etudes and their antecedents / Simon Finlow -- Tonal architecture in the early music / John Rink -- Profiles of the music. Extended forms : the ballades, scherzos and fantasies / Jim Samson -- Small 'forms' : in defence of the prelude / Jeffrey Kallberg -- Beyond the dance / Adrian Thomas -- The sonatas / Anatole Leikin -- Reception. Chopin in performance / James Methuen-Campbell -- Chopin reception in nineteenth-century Poland / Zofia Chechlińska -- Victorian attitudes to Chopin -- Derek Carew -- Chopin's influence on the fin de siècle and beyond / Roy Howat."@en
schema:description"Most 'epic' statements (chapter 5) as well as his most 'epigrammatic' (chapter 6). There is an account of his relation to Polish folk music in the dance pieces (chapter 7) and there is a fresh look at one of the more controversial aspects of his art, his handling of the sonata (chapter 8). Several facets of the afterlife of Chopin's music are examined in part 3. There is reception through performance (chapter 9), reception through criticism (chapters 10 and 11) and."@en
schema:description"Of this Companion is to identify some of its sources, referring both to the social history of early nineteenth-century piano music (chapter 1) and to the music of Chopin's predecessors (chapters 2 and 3). The early music and the growth to stylistic maturity are examined in chapter 4. Part 2 of the Companion profiles some of the mature music in a language designed to be intelligible to the interested layman as well as to the musician. There are re-evaluations of Chopin's."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/55490195>
schema:genre"Biography"@en
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"The Cambridge companion to Chopin"@en
schema:publication
schema:publisher
schema:workExample
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GB9250883>
umbel:isLike<http://bnb.data.bl.uk/id/resource/GB92Y0475>
wdrs:describedby

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.