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The Cambridge history of world music

Author: Philip V Bohlman
Publisher: New York : Cambridge University Press, 2013.
Series: Cambridge history of music.
Edition/Format:   Print book : Document   Computer File : EnglishView all editions and formats
Summary:
Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments--in Europe, Oceania, China, India, the Muslim world, North and South America--in search of the connections provided by a truly world music.  Read more...
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Genre/Form: Criticism, interpretation, etc
Electronic books
Material Type: Document
Document Type: Book, Computer File
All Authors / Contributors: Philip V Bohlman
ISBN: 9780521868488 0521868483
OCLC Number: 862052998
Language Note: English.
Description: xxvi, 851 pages ; 24 cm
Contents: Part I, Histories of world music. On world music as a concept in the history of music scholarship / Bruno Nettl. Music cultures of mechanical reproduction / Peter Manuel. Western music as world music / Nicholas Cook --
Part II, The history of music before history. Foundations of musical knowledge in the Muslim world / Stephen Blum. Indian music history in the context of global encounters / Bonnie C. Wade. Native American ways of (music) history / Beverley Diamond --
Part III, Music histories of global encounter and exchange. Encounter music in Oceania : cross-cultural musical exchange in eighteenth- and early nineteenth-century voyage accounts / Vanessa Agnew. Music, history, and the sacred in South Asia / Jaime Jones. Music, minas, and the Golden Atlantic / Suzel A. Reily --
Part IV, The Enlightenment and world music's historical turn. Johann Gottfried Herder and the global moment of world-music history / Philip V. Bohlman. Tartini the Indian: perspectives on world music in the Enlightenment / Sebastian Klotz. The music of non-western nations and the evolution of British ethnomusicology / Bennett Zon --
Part V, Music histories of the folk and the nation. Korean music before and after the West / Keith Howard. Folk music in Eastern Europe / Timothy J. Cooley. A story with(out) gauchos : folk music in the building of the Argentine nation / Bernardo Illari --
Part VI, Asian music histories. Four recurring themes in histories of Chines music / Jonathan P.J. Stock. On the history of the musical arts in Southeast Asia / Margaret Kartomi. Musicians and the politics of dignity in South India / Kaley Mason --
Part VII, Institutions and politics of representation. Images of sound : Erich M. von Hornbostel and the Berlin Phonogram Archive / Lars-Christian Koch. Music in the mirror of multiple nationalisms : sound archives and ideology in Israel and Palestine / Ruth F. Davis --
Repatriation as reanimation through reciprocity / Aaron A. Fox --
Part VIII, The globalization of world music in history. Landscapes of diaspora / Timothy Rommen --
Sufism and the globalization of sacred music / Regula Burckhardt Qureshi. Global exoticism and modernity / W. Anthony Sheppard --
Part IX, Musical discourses of modernity. Encountering African music in history and modernity / Gregory Barz. The politics of music categorization in Portugal / Salwa El-Shawan Castelo-Branco. The world according to the Roma / Michael Beckerman --
Part X, Musical ontologies of globalization. Disseminating world music / Travis A. Jackson. Musical antimonies of race and empire / Wayne Marshall and Ronald Radano. Globalized new capitalism and the commodification of taste / Timothy D. Taylor --
Part XI, Beyond world-music history. The time of music and the time of history / Martin Clayton. The ethics of ethnomusicology in a cosmopolitan age / Kay Kaufman Shelemay. Toward a new world? : the vicissitudes of American popular music / Richard Middleton --
Afterword : a worldly musicology? / Martin Stokes.
Series Title: Cambridge history of music.
Responsibility: edited by Philip V. Bohlman.

Abstract:

In the twenty-first century, world music increasingly connects the diverse and multicultural experiences of musicians and listeners, students and scholars, using media across the world. This History  Read more...

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'With The Cambridge History of World Music, Philip Bohlman and company have confronted the hazards of this complex enterprise head on while at the same time inspiring the kinds of curiosity, wonder, Read more...

 
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