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The candid eye

Author: Wolf KoenigDonald BrittainRoman KroitorDon OwenJohn KemenyAll authors
Publisher: Montreal : National Film Board of Canada, ©1993.
Series: Constructing reality : exploring media issues in documentary, [pt.4].
Edition/Format:   VHS video : VHS tape   Visual material : EnglishView all editions and formats
Database:WorldCat
Summary:
These materials raise considerations such as: Is there such a thing as a completely candid film? What difference does the presence of the camera make for those who are under its scrutiny? Should the filmmaker be an uninvolved fly-on-the-wall who records life as it happens, or an engaged participant? What ethical issues are involved in the making of a cinema verite documentary?
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Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Wolf Koenig; Donald Brittain; Roman Kroitor; Don Owen; John Kemeny; Douglas Leterman; Gwynne Dyer; Paul Cowan; Bill Brind; John Kramer; National Film Board of Canada.
OCLC Number: 71759629
Notes: VHS format.
National Film Board of Canada: 113C 9193 059.
National Film Board of Canada: 9193 059.
Closed-captioned for the hearing impaired.
Accompanied by series resource book.
Credits: Directors, David Adkin & Arlene Moscovitch; producers, John Spotton, Michael Allder.
Description: 1 videocassette (1 hr. 50 min.) : sd., col., b&w sequences ; 1/2 in.
Contents: Lonely boy, directed by Wolf Koenig, Roman Kroitor, produced by Roman Kroitor, the National Film Board of Canada. c1961. Ladies and gentlemen, Mr. Leonard Cohen,(excerpt), directors, Donald Brittain, Don Owen, producer, John Kemeny, distributed by the National Film Board. c1965. One more river, (excerpts), director/producer, Douglas Leiterman, disbributed by CBC. c1964. Anybody's son will do, director, Paul Cowan, producers, William Brind, John Kramer, Barrie Howelis
Series Title: Constructing reality : exploring media issues in documentary, [pt.4].
Other Titles: Lonely boy.
Ladies and gentlemen, Mr. Leonard Cohen.
One more river.
Anybody's son will do.
Responsibility: presented by the National Film Board of Canada.

Abstract:

These materials raise considerations such as: Is there such a thing as a completely candid film? What difference does the presence of the camera make for those who are under its scrutiny? Should the filmmaker be an uninvolved fly-on-the-wall who records life as it happens, or an engaged participant? What ethical issues are involved in the making of a cinema verite documentary?

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