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Autore: Pablo TraperoAlejandro FadelMartín MaureguiSantiago MitreJulián ApezteguiaTutti gli autori
Editore: [Buenos Aires] : Matanza Cine SRL ; [Culver City, CA] : Distributed by Strand Releasing, ©2011.
Edizione/Formato:   Video DVD : Sistema di trasmissione a colori NTSC   Computer file : SpanishVedi tutte le edizioni e i formati
Sommario:
22 deaths a day, 683 a month, over 8,000 a year, 100,000 over the last decade. In Argentina, traffic accidents are decimating those 35 and under. Festering beneath Argentina's crime-plagued, class-divided society is the quasi-lawless realm of motor vehicle accidents and their aftermath. Sosa is an ambulance-chasing lawyer. He's lost his license, so now he works the late-night streets of Buenos Aires, signing up  Per saperne di più…
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Dettagli

Genere/formato: Film noir
Thrillers (Motion pictures)
Medical films (Motion pictures)
Feature films
Foreign films
Motion pictures
Spanish language films
Foreign language films
Fiction films
Motion pictures, Spanish
Materiales en español
Largometrajes
Grabaciones de vídeo para los de audición disminuido
Drama
Teatro
Tipo materiale: Risorsa internet, Videorecording
Tipo documento Materiale visivo, Computer file, Risorsa Internet
Tutti gli autori / Collaboratori: Pablo Trapero; Alejandro Fadel; Martín Mauregui; Santiago Mitre; Julián Apezteguia; Ricardo Darín; Martina Gusman; Carlos Weber; José Luis Arias; Fabio Ronzano; Loren Acuña; Gabriel Almirón; José Espeche; Cine Argentino (Firm); Matanza Cine (Argentina); Finecut (Firm); Patagonik Film Group.; Ad vitam (Firm); L90 Producciones (Firm); Instituto Nacional de Cine y Artes Audiovisuales (Argentina); Strand Releasing (Firm); Strand Releasing Home Video (Firm)
Numero OCLC: 713659101
Nota sulla lingua: In Spanish with English subtitles.
Note: Special features: Original theatrical trailer (2 min.); Other Strand Releasing trailers (7 min.).
Riconoscimenti: Direccion de fotografia, Julián Apezteguia ; montaje, Ezequiel Borovinsky, Pablo Trapero ; direccion de arte, Mercedes Alfonsin ; vestuario, Marisa Urruti.
Distribuzione: Ricardo Darin, Martina Gusman, Carlos Weber, Jose Luis Arias, Fabio Ronzano, Loren Acuña, Gabriel Almirón, José Espeche.
Note sull’evento: Originally produced as an Argentinian motion picture in 2010.
Riconoscimenti: Winner - Best Director, Best Actress: Fantastic Fest; Official Selection - Cannes Film Festival Un Certain Regard; Official Selection - San Sebastian International film Festival; Official Selection - Toronto International Film Festival.
Destinatari MPAA Rating: Not rated; this film contains mature subject matter.
Descrizione: 1 videodisc (107 min.) : sound, color ; 4 3/4 in.
Dettagli: DVD, NTSC; widescreen presentation.
Contenuti: Helping hand --
A swindler --
Change of luck --
Cardiac arrest --
ER brawl --
Who's in charge? --
Lurking vultures --
Power of attorney --
On call --
No time to waste --
Absolute madness --
Credits.
Responsabilità: Cine Argentino, Matanza Cine, Finecut, Patagonik, Ad Vitam, L90 Producciones con el apoyo de INCAA-Programa IberMedia presentan ; una película de Pablo Trapero ; dirección, Pablo Trapero ; guión, Alejandro Fadel, Martin Mauregui, Santiago Mitre, Pablo Trapero ; productor, Pablo Trapero.

Sinossi:

22 deaths a day, 683 a month, over 8,000 a year, 100,000 over the last decade. In Argentina, traffic accidents are decimating those 35 and under. Festering beneath Argentina's crime-plagued, class-divided society is the quasi-lawless realm of motor vehicle accidents and their aftermath. Sosa is an ambulance-chasing lawyer. He's lost his license, so now he works the late-night streets of Buenos Aires, signing up injured clients for a predatory firm that will pay them perhaps a quarter, or a fifth, of what the insurance companies pay. Luján is an overworked young doctor who takes ambulance shifts for extra money. Her level of sleeplessness and chemical intake renders her less than desirable for performing emergency life-and-death surgery, but to Sosa Luján seems to be a ministering angel who can redeem his sleazoid existence. While Luján and Sosa can fall in love, the more vital question is can they escape the grim logic of their situation, evade responsibility for their own actions, and outrun a machine determined to destroy them?

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