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Casta painting : images of race in eighteenth-century Mexico

著者: Ilona Katzew
出版: New Haven : Yale University Press, ©2004.
エディション/フォーマット:   book_printbook : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"With over two hundred illustrations, including some of casta sets and other visual materials that have never been published before, the book draws on a variety of archival sources to provide the most comprehensive study of casta painting to date. Katzew considers how casta painting developed art historically, why race became the subject of a pictorial genre that spanned an entire century, who commissioned and
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ジャンル/形式: Bildband
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Ilona Katzew
ISBN: 0300102410 9780300102413 9780300109719 0300109717
OCLC No.: 52806200
物理形態: 242 pages : illustrations (some color) ; 29 cm
コンテンツ: Painters and paintings: a visual tradition and its historiography --
"A marvelous variety of colors?": racial ideology and the Sistema de Castas --
The rise of Casta painting: exoticism and Creole pride, 1711-1760 --
Changing perspectives: Casta painting in the era of the Bourbon reforms, 1760-1790 --
The theater of marvels: Casta paintings in the textual microcosmos.
責任者: Ilona Katzew.
その他の情報:

概要:

"With over two hundred illustrations, including some of casta sets and other visual materials that have never been published before, the book draws on a variety of archival sources to provide the most comprehensive study of casta painting to date. Katzew considers how casta painting developed art historically, why race became the subject of a pictorial genre that spanned an entire century, who commissioned and collected the works, and what meanings the works held for contemporary audiences. The book sheds new light on racial dynamics of eighteenth-century Mexico and on the ways the colonial elite attempted to order an increasingly confusing society.

While casta paintings can be placed within contemporary European concepts of the exotic and the impetus to classify, Katzew demonstrates that the genre also reveals aspects of the construction of identity and self-image unique to the colonial world."--Jacket.

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