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The catcher in the rye

Author: J D Salinger; E Michael Mitchell; Lotte Jacobi
Publisher: Boston : Little, Brown, and Company, 1951
Edition/Format:   Book : Fiction : English : First editionView all editions and formats
Database:WorldCat
Summary:
In an effort to escape the hypocrisies of life at his boarding school, sixteen-year-old Holden Caulfield seeks refuge in New York City.
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based on 16 rating(s) 2 with reviews

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Details

Genre/Form: Fiction
Bildungsromans
Additional Physical Format: Online version:
Salinger, J.D. (Jerome David), 1919-2010.
Catcher in the rye.
Boston, Little, Brown, 1951
(OCoLC)607747538
Material Type: Fiction, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: J D Salinger; E Michael Mitchell; Lotte Jacobi
ISBN: 0316769533 9780316769532
OCLC Number: 287628
Notes: Collation: [unsigned, 1-9¹⁶]; 144 leaves, pages [8 unnumbered (first leaf blank)] [1-2] 3-277 [278-280 (blank)].
First issued in black cloth, spine lettered in gold; in illustrated dust jacket depicting a carousel horse, designed by E. Michael Mitchell, printed in red, black and yellow, with black and white full page photoportrait of the author by Lotte Jacobi; price $3.00 (front flap); at foot of back flap, "The catcher in the rye is a Book-of-the-Month Club selection".
Description: 8 unnumbered pages, 277 pages, 3 unnumbered pages ; 21 cm
Contents: A perfect day for bananafish --
Uncle Wiggily in Connecticut --
Just before the war with the Eskimos --
The laughing man --
Down at the dinghy --
For Esme, with love and squalor --
Pretty mouth and green my eyes --
De Daumier-Smith's blue period --
Teddy.
Responsibility: J.D. Salinger.

Abstract:

In an effort to escape the hypocrisies of life at his boarding school, sixteen-year-old Holden Caulfield seeks refuge in New York City.

"The hero-narrator of 'The Catcher in the Rye' is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices -- but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep."--Dust jacket.

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the catcher in the rye

by jyotsana (WorldCat user published 2007-10-20) Excellent Permalink
an excellent read
  • 7 of 11 people found this review helpful. Did it help you? 
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book review on catcher in the rye

by autum (WorldCat user published 2007-01-24) Very Good Permalink
this book is amazing why dont u leave me any reviews to read..i need help with reviews for my junior research paper...and no reviews??
  • 4 of 8 people found this review helpful. Did it help you? 
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Linked Data


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schema:reviewBody""The hero-narrator of 'The Catcher in the Rye' is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices -- but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep."--Dust jacket."
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