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|Genre/Form:||Criticism, interpretation, etc|
|Named Person:||Willa Cather; Willa Cather; Willa Cather|
|All Authors / Contributors:||
Susan J Rosowski; University of Nebraska--Lincoln.; Willa Cather Pioneer Memorial and Educational Foundation.
|Notes:||Sponsored by: University of Nebraska-Lincoln in cooperation with the Willa Cather Pioneer Memorial and Educational Foundation.|
|Description:||vii, 303 pages ; 24 cm.|
|Contents:||The ideology of Cather's Catholic progressivism : Death comes for the archbishop / Guy Reynolds --
"Grande communications avec Dieu" : the surrounding power of Shadows on the rock / Terence Martin --
"The white mulberry tree" as opera / Mary Jane Humphrey --
Gilt Diana and ivory Christ : love and Christian charity in My mortal enemy / John J. Murphy --
Her mortal enemy's daughter : Cather and the writing of age / Ann Romines --
Thefts and conversation : Cather and Faulkner / Merrill Maguire Skaggs --
The allusive Cather / Marilyn Arnold --
"Fire and wit" : storytelling and the American artist in Cather's My Ántonia / Paula Wooley --
"Distant and correct" : the double life and The professor's house / Michael Leddy --
Spatial structures and forms in The professor's house / Ann Moseley --
Time and memory in Sapphira and the slave girl : sex, abuse, and art / Cynthia Griffin Wolff --
Reflections of authority and community in Sapphira and the slave girl / Sharon Hoover --
Cather and the new canon : "The old beauty" and the issue of empire / Elizabeth Ammons --
Cather's use of light : an impressionistic tone / Asad Al-Ghalith --
Four "new" Cather letters to Annie Fields at the Huntington Library / Robert Thacker.
|Series Title:||Cather studies, v. 3.|
|Responsibility:||edited by Susan J. Rosowski.|
"The reader should be at ease traveling through some of the best traditional criticism of Willa Cather's fiction."--"Great Plains Quarterly,"