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| Material Type: | Government publication, State or province government publication, Internet resource |
|---|---|
| Document Type: | Book, Internet Resource |
| All Authors / Contributors: |
Harry H Kuoshu |
| ISBN: | 0809324555 9780809324552 0809324563 9780809324569 |
| OCLC Number: | 48851402 |
| Description: | xvi, 374 p. : ill. ; 24 cm. |
| Contents: | Overview: The Filmmaking Generations -- pt. 1. History in and out of Melodrama: Glory, Guilt, and Fantasy -- 1. Two Stage Sisters (Wutai jiemei, dir. Xie Jin, 1965) -- Director's Notes: "Two Stage Sisters: The Blossoming of a Revolutionary Aesthetic" / Gina Marchetti -- 2. Hibiscus Town (Furong zhen, dir. Xie Jin, 1986) -- Director's Notes: "Society and Subjectivity: On the Political Economy of Chinese Melodrama" / Nick Browne -- 3. Farewell My Concubine (Bawang bie ji, dir. Chen Kaige, 1993) -- Director's Notes: "The Concubine and the Figure of History: Chen Kaige's Farewell My Concubine" / Wendy Larson -- pt. 2. Speaking for the Other: Changing Allegorical Roles for Women -- 4. Street Angel (Malu tianshi, dir. Yuan Muzhi, 1937) -- An Outline for Viewing Street Angel: "The Textual and Critical Difference of Being Radical: Reconstructing Chinese Leftist Films of the 1930s" / Ma Ning -- 5. Three Women a.k.a. Women Side by Side (Liren xing, dir. Chen Liting, 1949) -- From "Xin nuxing to Liren xing: Changing Conceptions of the 'New Woman' in Republican Era Chinese Films" / Vivian Shen -- 6. Woman, Demon, Human a.k.a. Human, Woman, Demon (Ren gui qing, dir. Huang Shuqin, 1988) -- Director's Notes: "Human, Woman, Demon: A Woman's Predicament" / Dai Jinhua -- 7. Ju Dou (dir. Zhang Yimou, 1990) -- Director's Notes: "Ju Dou -- A Hermeneutical Reading of Cross-Cultural Cinema" / Jenny Kwok Wah Lau -- pt. 3. Cinema Exotica: Ethnic Minorities as the PRC's "Internal Other" -- 8. Girl from Hunan (Xiangnu Xiaoxiao, dir. Xie Fei, Wu Lan, 1986) -- Director's Notes: "Hsiao-hsiao' and Girl from Hunan: Teaching Chinese Narrative, Not Just Chinese Fiction" / Stephanie Hoare -- 9. Sacrificed Youth (Qingchun ji, dir. Zhang Nuanxin, 1985) -- Director's Notes: "Is China the End of Hermeneutics?; or, Political and Cultural Usage of Non-Han Women in Mainland Chinese Films" / Esther C.M. Yau -- 10. Horse Thief (Daoma zei, dir. Tian Zhuangzhuang, 1986) -- Director's Notes: "Tian Zhuangzhuang, the Fifth Generation, and Minorities Film in China" / Dru C. Gladney -- pt. 4. The Chinese Western: Roots Hidden in the Yellow Earth -- 11. Yellow Earth (Huang tudi, dir. Chen Kaige, 1984) -- Director's Notes: "The 'Hidden' Gender in Yellow Earth" / Mary Ann Farquhar -- 12. Old Well (Lao jing, dir. Wu Tianming, 1987) -- Director's Notes: From "Digging an Old Well: The Labor of Social Fantasy" / Rey Chow -- 13. Red Sorghum (Hong gaoliang, dir. Zhang Yimou, 1987) -- Director's Notes: "Red Sorghum: Mixing Memory and Desire" / Eugene Yuejin Wang -- pt. 5. New City Films: Beyond-Yellow-Earth Experiences of Postsocialism -- 14. Black Cannon Incident (Heipao shijian, dir. Huang Jianxin, 1985) -- Director's Notes: From "Post-Socialist Strategies: An Analysis of Yellow Earth and Black Cannon Incident" / Chris Berry and Mary Ann Farquhar -- 15. Good Morning, Beijing (Beijing, nizao, dir. Zhang Nuanxin, 1990) -- Director's Notes: "In Search of the Real City: Cinematic Representations of Beijing and the Politics of Vision" / Xiaobing Tang -- App. 2. Pronouncing Romanized Chinese -- App. 3. Video Purchase and Film Rental Information. |
| Responsibility: | Harry H. Kuoshu. |
| More information: |
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Related Subjects:(7)
- Film criticism -- China.
- Motion pictures -- China.
- Culture in motion pictures.
- Critique cinématographique -- Chine.
- Cinéma -- Chine.
- Film.
- China.
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