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Cemetery of the murdered daughters : feminism, history, and Ingeborg Bachmann

Author: Sara Lennox
Publisher: Amherst : University of Massachusetts Press, ©2006.
Edition/Format:   Print book : State or province government publication   Computer File : EnglishView all editions and formats
Database:WorldCat
Summary:

Austrian writer Ingeborg Bachmann is widely regarded as one of the most important twentieth-century authors writing in German. This book examines Bachmann's poetry and prose in historical context,  Read more...

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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Lennox, Sara.
Cemetery of the murdered daughters.
Amherst : University of Massachusetts Press, ©2006
(OCoLC)607742899
Named Person: Ingeborg Bachmann; Ingeborg Bachmann; Ingeborg Bachmann
Material Type: Government publication, State or province government publication, Internet resource
Document Type: Book, Computer File, Internet Resource
All Authors / Contributors: Sara Lennox
ISBN: 1558495525 9781558495524 1558495517 9781558495517
OCLC Number: 64595961
Description: xiv, 387 pages ; 24 cm
Contents: pt. 1. Bachmann and history --
Ch. 1. Bachmann in history : an overview --
Ch. 2. Bachmann's feminist reception --
pt. 2. A history of reading Bachmann --
1981 --
Ch. 3. In the cemetery of the murdered daughters : Malina --
Reading Bachmann in 1981 --
1983 --
Ch. 4. Christa Wolf and Ingeborg Bachmann : difficulties of writing the truth --
Reading Bachmann in 1983 --
1984 --
Ch. 5. Gender, race, and history in The book of Franza --
Reading Bachmann in 1984 --
1985 --
Ch. 6. Bachmann and Wittgenstein --
Reading Bachmann in 1985 --
1987 --
Ch. 7. Bachmann reading/reading Bachmann : The woman in white in the "ways of death" --
Reading Bachmann in 1987 --
pt. 3. Reading Bachmann historically.
Responsibility: Sara Lennox.
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"A very ambitious and original, indeed daring, experiment with impressively successful results.... The author set herself the triple challenge of historicizing readings of Bachmann, of reading Read more...

 
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