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Century rolls Lollapalooza ; Slonimsky's earbox

Autore: John AdamsEmanuel AxChristoph von DohnányiKent NaganoCleveland Orchestra.Tutti gli autori
Editore: New York, N.Y. : Nonesuch, 2000.
Edizione/Formato:   CD musicale : CD audio : No Linguistic ContentVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Of all the so-called minimalists working today, John Adams is the only one with any good ideas left. Witness this delightful release. The key to Adams's creativity is that he isn't bound by theoretical constraints on what "minimalism" should be. Century Rolls (1995) is a commission by Emanuel Ax, and it was inspired by the composer's listening to a CD recording of an ancient player piano. Century Rolls doesn't  Per saperne di più…
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Dettagli

Genere/forma: Music
Songs and music
Persona incaricata: Nicolas Slonimsky; Nicolas Slonimsky; Nicolas Slonimsky
Tipo materiale: Musica
Tipo documento: Sound Recording
Tutti gli autori / Collaboratori: John Adams; Emanuel Ax; Christoph von Dohnányi; Kent Nagano; Cleveland Orchestra.; Hallé Orchestra.
Numero OCLC: 45769661
Note: Compact disc.
Durations: 28:49; 6:50; 13:27.
Program notes by the composer in English inserted in container.
Interprete(i): Emanuel Ax, piano, Cleveland Orchestra, Christoph von Dohnányi, conductor (1st work) ; Hallé Orchestra, Kent Nagano, conductor (2nd-3rd works).
Note sull’evento: Recorded Oct. 4, 1999, Masonic Auditorium, Cleveland, Ohio (1st work) and July 24, 1997, Royal Centre, Nottingham, England (2nd-3rd works).
Descrizione: 1 sound disc : digital ; 4 3/4 in.
Dettagli: Compact disc.
Contenuti: Century rolls. First movement (14:55) ; Manny's gym (6:23) ; Hail bop (7:54) --
Lollapalooza (6:50) --
Slonimsky's earbox (13:27).
Altri titoli: Lollapalooza.
Slonimsky's earbox.
Orchestra music.
Century rolls ; Lollapalooza ; Slonimsky's earbox
Responsabilità: John Adams.

Abstract:

Of all the so-called minimalists working today, John Adams is the only one with any good ideas left. Witness this delightful release. The key to Adams's creativity is that he isn't bound by theoretical constraints on what "minimalism" should be. Century Rolls (1995) is a commission by Emanuel Ax, and it was inspired by the composer's listening to a CD recording of an ancient player piano. Century Rolls doesn't duplicate that sound, but it is, instead, an unexpected romp across new rhythmic territory. As for Mr. Ax, he comports himself very well, particularly in the difficult first Movement, which requires deft coordination of all forces involved. The brief Lollapalooza (1995) is more recognizably minimalist but with considerable orchestral color and shifting moods. And Slominsky's Earbox (1996) is a powerfully full-orchestra-driven canter. All this is to say that the CD is one of the best releases of Adams's career, and it will appeal to a very wide audience. --Paul Cook.

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