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Cézanne and modernism : the poetics of painting

Author: Joyce Medina
Publisher: Albany, NY : State University of New York Press, ©1995.
Series: SUNY series, the margins of literature.
Edition/Format:   eBook : Document : State or province government publication : EnglishView all editions and formats
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Medina, Joyce, 1953-
Cézanne and modernism.
Albany, NY : State University of New York Press, ©1995
(DLC) 94031716
(OCoLC)30895184
Named Person: Paul Cézanne; Paul Cézanne
Material Type: Document, Government publication, State or province government publication, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Joyce Medina
ISBN: 0585045429 9780585045429
OCLC Number: 42854929
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description: 1 online resource (x, 250 pages) : illustrations.
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contents: I. Cezanne and the Unity of Modernism. Modernism: Technique vs. Content. Cezanne: The Late Work --
II. From Impressionism to Cezanne: Psychological Theories. The Impression as Medium. The Redefinition of Sensation: Psychology and Epistemology. Psychological Positivism: Taine. Psychological Eclecticism: Psychophysics. Empathetic and Abstract Psychologism. The Bergsonian Synthesis. The Blending of Horizons: Bergson, Cezanne, Modernism --
III. From Impressionism to Cezanne: Aesthetic Theories. The Impressionists: From Sensations to Signs. From Truth to Symbol: Optics and Color Science. The Symbolists: From Signs to Images. In Conclusion: Cezanne, the Potential Synthesis --
IV. The Path into Modernism: Four Modalities of Imagery in Cezanne. The "Legendary" Cezanne. "Realization" in Nineteenth-Century Aesthetics. Cezanne's Early Period (1863-95). Symbolic Images: Realisation des Sensations. Cezanne's Experimental Period (1880-95). Plastic Images: Realisation sur Nature. Modulation. Condensation. The Motif. The Period of Serialization (1890-1906). Contemplative Images: Realisation du Motif. Visionary Images: Realisation du Motif --
V. Death and Non-Figuration: Cezanne's Ultimate Synthesis. The Pictorial Materials of the Imagination: Analytic Components and Antecedents of the Shifting Motif of The Cardplayers. The Narrative Materials of the Imagination: Scenes of Cardplaying and Card Fables as Sources of Emplotment. The Affective Materials: The Ugolino Drawing and Other Biographical Images as Indistinct Elements of Motif in The Cardplayers. Excursus: On the Mythology of Modern Death. Conclusion: The Trump Card/Players.
Series Title: SUNY series, the margins of literature.
Responsibility: Joyce Medina.

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