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Cézanne : the self-portraits

著者: Steven Platzman; Paul Cézanne
出版社: Berkeley : University of California Press, ©2001.
エディション/フォーマット:   紙書籍 : State or province government publication : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Cezanne has long been celebrated as the founding father of modern art. But astonishingly there has never been a study devoted to his self-portraits. Now, for the first time, Steven Platzman reveals the remarkable light these haunting works throw on the artist and his era." "Platzman begins with the young Cezanne struggling to make his mark in the Parisian art world of the 1860s. His earliest self-portraits express  続きを読む
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詳細

ジャンル/形式: Criticism, interpretation, etc
Self-portraits
Autoportraits
関連の人物: Paul Cézanne; Paul Cézanne; Paul Cézanne; Paul Cézanne; Paul Cézanne; Paul Cézanne; Paul Cézanne; Paul Cézanne
資料の種類: Government publication, State or province government publication, インターネット資料
ドキュメントの種類 書籍, インターネット資料
すべての著者/寄与者: Steven Platzman; Paul Cézanne
ISBN: 0520232917 9780520232914
OCLC No.: 46828972
物理形態: 224 pages : illustrations (chiefly color), portraits ; 29 cm
コンテンツ: The young radical : Cézanne and Paris in the 1860's --
Reconstructing the self : Cézanne and the recall to order --
The artist and the femme fatale : Cézanne's narrative self-portraits --
The final decades : exploring the self --
Conclusion --
Cézanne's self-portraits : a complete catalogue.
責任者: Steven Platzman.
その他の情報

概要:

"Cezanne has long been celebrated as the founding father of modern art. But astonishingly there has never been a study devoted to his self-portraits. Now, for the first time, Steven Platzman reveals the remarkable light these haunting works throw on the artist and his era." "Platzman begins with the young Cezanne struggling to make his mark in the Parisian art world of the 1860s. His earliest self-portraits express all the hostility he projected at both the official Salon and the avant-garde in these years. By the early 1870s, however, he found himself deeply isolated: military defeat and revolutionary upheaval had produced a conservative backlash throughout French political and cultural life. Cezanne responded by seeking rapproachement with the avant-garde, joining Camille Pissarro at Pontoise and temporarily adopting Impressionist technique. His self-portraits depict a more sober and accommodating figure, often sporting the rough-and-ready outdoor attire of the plein air Impressionist painter." "Like Rembrandt, Cezanne also inserted his own image into narrative paintings, in particular a series of often luridly erotic scenes from the late 1860s and 1870s. The femme fatale makes a regular appearance in these works, threatening - but always failing - to entice him from the paths of art and virtue." "By his final years Cezanne's self-portraits communicate a quieter spirit of introspection and skepticism that was very much in tune with the Symbolist mood of the times. These works are also, finally, serene and magisterial, depicting a man who, despite the doubts that never left him, had seen his aesthetic path and was sworn to pursue it till the day he died." "Cezanne: The Self-Portraits is a study of the nineteenth century's greatest painter. Accessible, authoritative, and generously illustrated, it concludes with a definitive catalog of all Cezanne's painted and drawn self-portraits."--Jacket.

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