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Cézanne : the self-portraits

ผู้แต่ง: Steven Platzman; Paul Cézanne
สำนักพิมพ์: Berkeley: University of California Press, ©2001.
ครั้งที่พิมพ์/รูปแบบ:   Print book : สิ่งพิมพ์ของรัฐหรือจังหวัด : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
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สรุป:
"Cezanne has long been celebrated as the founding father of modern art. But astonishingly there has never been a study devoted to his self-portraits. Now, for the first time, Steven Platzman reveals the remarkable light these haunting works throw on the artist and his era." "Platzman begins with the young Cezanne struggling to make his mark in the Parisian art world of the 1860s. His earliest self-portraits express  อ่านมากขึ้น…
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ประเภท/แบบฟอร์ม Criticism, interpretation, etc
Self-portraits
Autoportraits
ชื่อบุคคล: Paul Cézanne; Paul Cézanne; Paul Cézanne; Paul Cézanne; Paul Cézanne; Paul Cézanne
ขนิดวัสดุ: สิ่งพิมพ์รัฐบาล, สิ่งพิมพ์ของรัฐหรือจังหวัด, ทรัพยากรอินแทอร์เน็ต
ประเภทของเอกสาร: หนังสือ, แหล่งข้อมูลอินเทอร์เน็ต
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Steven Platzman; Paul Cézanne
ISBN: 0520232917 9780520232914
OCLC Number: 46828972
คำอธิบาย: 224 p. : ill. (chiefly col.), ports. ; 29 cm.
สารบัญ: The young radical : Cézanne and Paris in the 1860's --
Reconstructing the self : Cézanne and the recall to order --
The artist and the femme fatale : Cézanne's narrative self-portraits --
The final decades : exploring the self --
Conclusion --
Cézanne's self-portraits : a complete catalogue.
ความรับผิดชอบ: Steven Platzman.
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บทคัดย่อ:

Cezanne revolutionized the way we see and transcribe the essence of the material world. This work examines the stylistic development of Cezanne's self-portraits in an effort to understand how the  อ่านมากขึ้น…

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"The first art book devoted to Cezanne's self-portraits is a lavishly illustrated coffee-table volume."--"Los Angeles Times

 
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    schema:reviewBody ""Cezanne has long been celebrated as the founding father of modern art. But astonishingly there has never been a study devoted to his self-portraits. Now, for the first time, Steven Platzman reveals the remarkable light these haunting works throw on the artist and his era." "Platzman begins with the young Cezanne struggling to make his mark in the Parisian art world of the 1860s. His earliest self-portraits express all the hostility he projected at both the official Salon and the avant-garde in these years. By the early 1870s, however, he found himself deeply isolated: military defeat and revolutionary upheaval had produced a conservative backlash throughout French political and cultural life. Cezanne responded by seeking rapproachement with the avant-garde, joining Camille Pissarro at Pontoise and temporarily adopting Impressionist technique. His self-portraits depict a more sober and accommodating figure, often sporting the rough-and-ready outdoor attire of the plein air Impressionist painter." "Like Rembrandt, Cezanne also inserted his own image into narrative paintings, in particular a series of often luridly erotic scenes from the late 1860s and 1870s. The femme fatale makes a regular appearance in these works, threatening - but always failing - to entice him from the paths of art and virtue." "By his final years Cezanne's self-portraits communicate a quieter spirit of introspection and skepticism that was very much in tune with the Symbolist mood of the times. These works are also, finally, serene and magisterial, depicting a man who, despite the doubts that never left him, had seen his aesthetic path and was sworn to pursue it till the day he died." "Cezanne: The Self-Portraits is a study of the nineteenth century's greatest painter. Accessible, authoritative, and generously illustrated, it concludes with a definitive catalog of all Cezanne's painted and drawn self-portraits."--Jacket." ;
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