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Chantal Akerman in the seventies : the New York films ; Je tu il elle ; Les rendez-vous d'Anna

Auteur: Chantal AkermanClaire WauthionNiels ArestrupDelphine SeyrigJan DecorteAlle auteurs
Uitgever: [Irvington, N.Y.] : Criterion Collection, [2009]
Serie: Eclipse (Criterion Collection (Firm))., Series 19,, Chantal Akerman in the seventies.
Editie/Formaat:   DVD-video : FransAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
La chambre: The camera goes around the room three times, starting at a table, and slowly making its way 360 degrees around the room.

Hotel Monterey: Short film consisting entirely of shots of people walking in and out of a rundown New York hotel.

News from home: Presents a series of abstract and fragmentary images of everyday urban life in 1970s New York City, accompanied by the distinctive narration of filmmaker Chantal Akerman as she dispassionately reads through her mother's alternately affectionate, melancholic, and sincere, but maternally manipulative letters from her native Belgium.

Je tu il elle: Akerman's first feature-length film. A jittery young woman gradually gains experience and maturity in her travels around France. Sex, love, food and personal identity become intertwined as she sets out to define herself, her loves, and her desires.

Les rendez-vous d'Anna: An independent woman film-maker journeys through Germany, Belgium, and France, meeting a stream of friends, lovers, relatives, and strangers, and passing through alienating landscapes of anonymous hotel rooms, train stations, and cinemas.  Meer lezen...

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Details

Genre/Vorm: Fiction films
Experimental films
Short films
Drama
Genre: Video-opname
Soort document: Visueel materiaal
Alle auteurs / medewerkers: Chantal Akerman; Claire Wauthion; Niels Arestrup; Delphine Seyrig; Jan Decorte; Henri Storck; Aurore Clément; Helmut Griem; Magali Noel; Paradise Films.; Janus Films.
ISBN: 9781604652437 1604652438
OCLC-nummer: 499107051
Taalopmerking: In French with optional subtitles in English.
Opmerkingen: Title from container.
"Eclipse from the Criterion Collection."--Container.
Originally released in 1972, 1975, and 1978.
Credits: La chambre (credits from container; no cast credits): producer, director, screenplay, Chantal Akerman ; camera, Babette Mangolte.
Hotel Monterey (credits from container; no cast credits): producer, director, screenplay, Chantal Akerman ; cinematography, Babette Mangolte.
News from home (no cast credits): Co-production of Unité 3, I.N.A., Paradise Films ; cinematography, Babette Mangolte ; [film by] Chantal Akerman.
Je tu il elle: Cinematography, Bénédicte Delesalle, Renelde Dupont, Charlotte Szlovak ; director, Chantal Anne Akerman.
Les rendez-vous d'Anna: Co-production of Helene Films-Unité Trois, Paradise Films, Z.D.F. ; writer, director, Chantal Akerman.
Rolbezetting: Je tu il elle: Claire Wauthion, Niels Arestrup, Chantal Akerman.
Les rendez-vous d'Anna: Aurore Clément, Helmut Griem, Magali Noel, Hanns Zischler.
Beschrijving: 3 videodiscs (371 min.) : sd., si., col., b&w ; 4 3/4 in.
Details: DVD; Region 1; digitally remastered; format, 1.33/1.66, 4/3 & 16/9 anamorphic.
Inhoud: Disc 1. La chambre (1972; 11 min. : si., col.) ; Hotel Monterey (1972; 62 min. : si., col.) ; News from home (1976; 86 min. : sd., col.) --
disc 2. Je tu il elle (1975; 82 min. : sd., b&w) --
disc 3. Les rendez-vous d'Anna (1978; 122 min. : sd., col.).
Serietitel: Eclipse (Criterion Collection (Firm))., Series 19,, Chantal Akerman in the seventies.
Andere titels: Chambre.
Hotel Monterey.
News from home.
Je tu il elle.
Rendez-vous d'Anna.
Verantwoordelijkheid: Janus Films ; Paradise Films.

Fragment:

La chambre: The camera goes around the room three times, starting at a table, and slowly making its way 360 degrees around the room.

Hotel Monterey: Short film consisting entirely of shots of people walking in and out of a rundown New York hotel.

News from home: Presents a series of abstract and fragmentary images of everyday urban life in 1970s New York City, accompanied by the distinctive narration of filmmaker Chantal Akerman as she dispassionately reads through her mother's alternately affectionate, melancholic, and sincere, but maternally manipulative letters from her native Belgium.

Je tu il elle: Akerman's first feature-length film. A jittery young woman gradually gains experience and maturity in her travels around France. Sex, love, food and personal identity become intertwined as she sets out to define herself, her loves, and her desires.

Les rendez-vous d'Anna: An independent woman film-maker journeys through Germany, Belgium, and France, meeting a stream of friends, lovers, relatives, and strangers, and passing through alienating landscapes of anonymous hotel rooms, train stations, and cinemas.

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