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Chantal Akerman in the seventies

Auteur : Chantal AkermanClaire WauthionNiels ArestrupDelphine SeyrigJan DecorteTous les auteurs
Éditeur : [Irvington, N.Y.] : Criterion Collection, [2009]
Collection : Eclipse (Criterion Collection (Firm))., Series 19,, Chantal Akerman in the seventies.
Édition/format :   Vidéo DVD : NTSC : FrançaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
La chambre: The camera goes around the room three times, starting at a table, and slowly making its way 360 degrees around the room.

Hotel Monterey: Short film consisting entirely of shots of people walking in and out of a rundown New York hotel.

News from home: Presents a series of abstract and fragmentary images of everyday urban life in 1970s New York City, accompanied by the distinctive narration of filmmaker Chantal Akerman as she dispassionately reads through her mother's alternately affectionate, melancholic, and sincere, but maternally manipulative letters from her native Belgium.

Je tu il elle: Akerman's first feature-length film. A jittery young woman gradually gains experience and maturity in her travels around France. Sex, love, food and personal identity become intertwined as she sets out to define herself, her loves, and her desires.

Les rendez-vous d'Anna: An independent woman film-maker journeys through Germany, Belgium, and France, meeting a stream of friends, lovers, relatives, and strangers, and passing through alienating landscapes of anonymous hotel rooms, train stations, and cinemas.  Lire la suite...

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Détails

Genre/forme : Experimental films
Feature films
Fiction films
Short films
Drama
Type d’ouvrage : Enregistrement vidéo
Format : Matériel visuel
Tous les auteurs / collaborateurs : Chantal Akerman; Claire Wauthion; Niels Arestrup; Delphine Seyrig; Jan Decorte; Henri Storck; Aurore Clément; Helmut Griem; Magali Noel; Paradise Films.; Janus Films.; Criterion Collection (Firm)
ISBN : 9781604652437 1604652438
Numéro OCLC : 499107051
Note sur la langue : La chambre, Hotel Monterey: silent; News from home, Je tu il elle, Les rendez-vous d'Anna: in French with optional subtitles in English.
Notes : Title from container.
Originally released in 1972, 1975, and 1978.
"Eclipse from the Criterion Collection."--Container.
Crédits : La chambre (credits from container; no cast credits): producer, director, screenplay, Chantal Akerman ; camera, Babette Mangolte.
Hotel Monterey (credits from container; no cast credits): producer, director, screenplay, Chantal Akerman ; cinematography, Babette Mangolte.
News from home (no cast credits): Co-production of Unité 3, I.N.A., Paradise Films ; cinematography, Babette Mangolte ; [film by] Chantal Akerman.
Je tu il elle: Cinematography, Bénédicte Delesalle, Renelde Dupont, Charlotte Szlovak ; director, Chantal Anne Akerman.
Les rendez-vous d'Anna: Co-production of Helene Films-Unité Trois, Paradise Films, Z.D.F. ; writer, director, Chantal Akerman.
Distribution : Je tu il elle: Claire Wauthion, Niels Arestrup, Chantal Akerman.
Les rendez-vous d'Anna: Aurore Clément, Helmut Griem, Magali Noel, Hanns Zischler.
Description : 3 videodiscs (371 min.) : sd., si., col., b&w ; 4 3/4 in.
Détails : DVD; NTSC; Region 1; digitally remastered; format, 1.33/1.66, 4/3 & 16/9 anamorphic.
Contenu : Disc 1. La chambre (1972; 11 min. : si., col.) ; Hotel Monterey (1972; 62 min. : si., col.) ; News from home (1976; 86 min. : sd., col.) --
disc 2. Je tu il elle (1975; 82 min. : sd., b&w) --
disc 3. Les rendez-vous d'Anna (1978; 122 min. : sd., col.).
Titre de collection : Eclipse (Criterion Collection (Firm))., Series 19,, Chantal Akerman in the seventies.
Autres titres : Chambre.
Hotel Monterey.
News from home.
Je tu il elle.
Rendez-vous d'Anna.
Responsabilité : Janus Films ; Paradise Films.

Résumé :

La chambre: The camera goes around the room three times, starting at a table, and slowly making its way 360 degrees around the room.

Hotel Monterey: Short film consisting entirely of shots of people walking in and out of a rundown New York hotel.

News from home: Presents a series of abstract and fragmentary images of everyday urban life in 1970s New York City, accompanied by the distinctive narration of filmmaker Chantal Akerman as she dispassionately reads through her mother's alternately affectionate, melancholic, and sincere, but maternally manipulative letters from her native Belgium.

Je tu il elle: Akerman's first feature-length film. A jittery young woman gradually gains experience and maturity in her travels around France. Sex, love, food and personal identity become intertwined as she sets out to define herself, her loves, and her desires.

Les rendez-vous d'Anna: An independent woman film-maker journeys through Germany, Belgium, and France, meeting a stream of friends, lovers, relatives, and strangers, and passing through alienating landscapes of anonymous hotel rooms, train stations, and cinemas.

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Données liées


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