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Charles Darwin and Victorian visual culture

著者: Jonathan Smith
出版: Cambridge : Cambridge University Press, 2006.
シリーズ: Cambridge studies in nineteenth-century literature and culture, 50.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Although The Origin of Species contained just a single visual illustration, Charles Darwin's other books, from his monograph on barnacles in the early 1850s to his volume on earthworms in 1881, were copiously illustrated by well-known artists and engravers. Jonathan Smith explains how Darwin managed to illustrate the unillustratable - his theories of natural selection - by manipulating and modifying the visual  続きを読む
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ジャンル/形式: History
関連の人物: Charles Darwin; Charles Darwin; Charles Darwin; Charles Darwin; Charles Darwin
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Jonathan Smith
ISBN: 9780521856904 0521856906
OCLC No.: 62891595
物理形態: xxiii, 349 p. : ill. ; 26 cm.
コンテンツ: 1. Seeing things : Charles Darwin and Victorian visual culture --
2. Darwin's barnacles --
3. Darwin's birds --
4. Darwin's plants --
5. Darwin's faces I --
6. Darwin's faces II --
7. Darwin's worms.
シリーズタイトル: Cambridge studies in nineteenth-century literature and culture, 50.
責任者: Jonathan Smith.
その他の情報:

概要:

A highly illustrated account of Darwin's visual representations of his theories, and their influence on Victorian literature, art and culture.  続きを読む

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'... a rewarding journey through Darwin's less well-known but richly illustrated works ... the range of illustrations is superb.' Times Literary Supplement 'In the texture of its writing, the 続きを読む

 
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schema:reviewBody""Although The Origin of Species contained just a single visual illustration, Charles Darwin's other books, from his monograph on barnacles in the early 1850s to his volume on earthworms in 1881, were copiously illustrated by well-known artists and engravers. Jonathan Smith explains how Darwin managed to illustrate the unillustratable - his theories of natural selection - by manipulating and modifying the visual conventions of natural history, using images to support the claims made in his texts. Moreover, Smith looks outward to analyze the relationships between Darwin's illustrations and Victorian visual culture, especially the late-Victorian debates about aesthetics, and shows how Darwin's evolutionary explanation of beauty, based on his observations of color and the visual in nature, were a direct challenge to the aesthetics of John Ruskin. The many illustrations reproduced here enhance this fascinating study of a little-known aspect of Darwin's lasting influence on literature, art, and culture."--Jacket."
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