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Che's afterlife : the legacy of an image

Autor: Michael Casey
Editorial: New York : Vintage Books, 2009.
Edición/Formato:   Print book : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
Casey, Buenos Aires bureau chief for Dow Jones Newswires, examines intellectual property and iconography through the lens of the famous image of Che Guevara captured by fashion photographer Alberto Korda. The author does not neglect the relevant biographical details or history, but his focus is Che as a brand. He wants to understand why the Korda image remains so compelling to such a wide variety of people and how  Leer más
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Detalles

Género/Forma: Portraits
Persona designada: Alberto Korda; Che Guevara; Che Guevara; Ernesto Guevara; Ernesto Guevara; Che Guevara
Tipo de material: Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Michael Casey
ISBN: 9780307279309 0307279308
Número OCLC: 239228998
Notas: "A Vintage Books original"--T.p. verso.
Descripción: x, 388 p., [8] p. of plates : ill. (some col.) ; 21 cm.
Contenido: Becoming El Che : the making of a global brand. Havana, May 5, 1960 : a frozen millisecond ; Odysseus ; Sex, photos, revolution ; Banished, crucified, resurrected ; Milan, Paris, Berkeley : art, fashion, war, and peace --
Mimicking a martyr : San Ernesto of Latin America. Argentina : the prodigal son ; Bolivia : second coming ; Venezuela : the Chavistas' crusade ; Miami : the heretics --
Globalizing the spirit of Che : the paradoxical afterlife of a post-Cold War, post-Castro, postmodern Cuban icon. Omnipresence ; In search of the inner Che ; Merchants in the temple ; Epilogue : to be immortal.
Responsabilidad: Michael Casey.
Más información:

Resumen:

Casey, Buenos Aires bureau chief for Dow Jones Newswires, examines intellectual property and iconography through the lens of the famous image of Che Guevara captured by fashion photographer Alberto Korda. The author does not neglect the relevant biographical details or history, but his focus is Che as a brand. He wants to understand why the Korda image remains so compelling to such a wide variety of people and how it continues to represent so many different (and differing) causes; he suggests that the power of Che, the brand, is in its ability to be anything to anyone.

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